“Then it’s because I _have_ no end--any more than an ill-written book. I
just stop anywhere; which means I’m a failure,” the poor man all lucidly
and unreservedly pursued: “a failure, as hopeless and helpless, sir, as
any that ever swallowed up the slender investments of the widow and
the orphan. I don’t pay five cents on the dollar. What I might have
been--once!--there’s nothing left to show. I was rotten before I was
ripe. To begin with, certainly, I wasn’t a fountain of wisdom. All the
more reason for a definite channel--for having a little character and
purpose. But I hadn’t even a little. I had nothing but nice tastes, as
they call them, and fine sympathies and sentiments. Take a turn through
New York to-day and you’ll find the tattered remnants of these things
dangling on every bush and fluttering in every breeze; the men to whom
I lent money, the women to whom I made love, the friends I trusted, the
follies I invented, the poisonous fumes of pleasure amid which nothing
was worth a thought but the manhood they stifled! It was my fault that I
believed in pleasure here below. I believe in it still, but as I believe
in the immortality of the soul. The soul is immortal, certainly--if
you’ve got one; but most people haven’t. Pleasure would be right if it
were pleasure straight through; but it never is. My taste was to be the
best in the world; well, perhaps it was. I had a little money; it went
the way of my little wit. Here in my pocket I have the scant dregs
of it. I should tell you I was the biggest kind of ass. Just now that
description would flatter me; it would assume there’s something left of
me. But the ghost of a donkey--what’s that? I think,” he went on with
a charming turn and as if striking off his real explanation, “I should
have been all right in a world arranged on different lines. Before
heaven, sir--whoever you are--I’m in practice so absurdly tender-hearted
that I can afford to say it: I entered upon life a perfect gentleman.
I had the love of old forms and pleasant rites, and I found them
nowhere--found a world all hard lines and harsh lights, without shade,
without composition, as they say of pictures, without the lovely mystery
of colour. To furnish colour I melted down the very substance of my own
soul. I went about with my brush, touching up and toning down; a very
pretty chiaroscuro you’ll find in my track! Sitting here in this old
park, in this old country, I feel that I hover on the misty verge of
what might have been! I should have been born here and not there; here
my makeshift distinctions would have found things they’d have been true
of. How it was I never got free is more than I can say. It might have
cut the knot, but the knot was too tight. I was always out of health or
in debt or somehow desperately dangling. Besides, I had a horror of the
great black sickening sea. A year ago I was reminded of the existence of
an old claim to an English estate, which has danced before the eyes of
Public-domain text, read in full here on John Shaqi.
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