A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
"Why, it's just a trade secret," laughed the actress. "Some people never
fall well because their nerve fails them at the last moment, but all
their lives long are content with a sort of jointed fall--they drop on
their knees and then forward on their faces. If it is done very quickly
it passes, but one never looks graceful, and the immense effect of the
crash of the fall is missing. Then, too, an actress who goes down in
that manner not only runs the risk of being made fun of, but the
bruising over and over again of the same spot may produce a lump with a
very ugly and alarming name.
"But here is the whole wonderful secret." She held out her open hands,
and both girls saw their palms were slightly reddened. "Always throw out
your hand, both of them in beginning; keep your knees nearly stiff, and
just topple over like a great tree, but strike on the flats of your open
hands. The blow won't hurt them beyond making them sting a little. Your
knees, elbows, head, shoulders, are all safe--yet you have fallen with
immense force."
Sybil lifted her hands and made a movement as if about to try the trick,
but stopped, looking rather frightened.
"No, no--not here!" said Miss Morrell. "Try on your mattress first, and
close your eyes when you have marked where you want to strike, and then
the distance won't frighten you so. The bolder you get, the less you
will extend your hands. It requires nerve, but I'm sure that is a
quality you possess, my dear. Besides, you may not play a part requiring
a fall for a year or two yet."
And Sybil blushed hotly because she had been so charged to secrecy that
she dared not tell even this woman who was so good to her that she was
the girl about whom all the newspaper stories were appearing, and that
she was being coached for Juliet.
After a few moments of general conversation the caller rose to go, and,
while Mr. Lawton stepped to the door to signal the coachman, who had
been keeping his horses moving, Mrs. Lawton explained that in former
years the "porte cochère of her old home would have made such action
needless, but this," waving her hand condemningly, "was not a home,
but--er--er a mere shelter."
"Ah!" graciously responded the actress, "but you know there are people
who have the gift of carrying the home atmosphere with them even to
a--mere shelter."
And Mrs. Lawton really looked very handsome and quite impressive, for
she felt she was receiving her due, and all the time Sybil was secretly
squeezing the fingers of her friend, and in the hall, while her father
gallantly opened the carriage door, she whispered: "I love you so for
having helped me! And Dorothy prays for you!"
With quick anxiety in eye and voice the woman questioned: "Why not do it
yourself, my child?" But good-byes were being repeated, and with that
slight sense of dissatisfaction upon her she had to take her departure.
Public-domain text, read in full here on John Shaqi.
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