A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Then the floodgates of Mrs. Lawton's eloquence were opened, and Dorothy
and John Lawton were caught in the swirl of eulogy and reminiscence
until suddenly a heavy jar overhead and a rattling of mortar between the
partitions was followed by a shrill cry of: "I've done it! I've done it!
Dorothy! Papa! Mamma! Come here, quick! quick!"
They all fled up the stairs to find Sybil stretched out on her face on a
mattress, kicking her slippers impatiently for their coming: "Look at
me!" she cried. "See my skirts--they are just exactly as I fell! I
haven't moved an inch!"
John said, slowly: "I-t wasn't an accident, was it, daughter? Are you
sure you can do it again?"
"Oh, Sybbie!" cried Dorothy, "do try it once more--only be very careful
not to fly over and get bruised!"
And willingly enough up scrambled Sybil, and, standing at the foot of
the mattress, she threw up her hands and with closed eyes pitched
recklessly forward, and arrived in good order to cries of admiration and
wonder from the lookers-on when, suddenly, Lena appeared, saying: "Miss
Sybbils, uf you blease, do dose yumps und tumbles in der odder room. Der
ceilin's too tender under here, und a chunk com' by der floor down youst
now."
And while Mr. and Mrs. Lawton went below to measure the disaster, Sybil
threw her arm about Dorothy's waist, crying: "Oh, won't Mr. Thrall be
surprised and delighted with me when he finds I can make a real Morrell
fall!"
Then to the tune of "Take back the heart that thou gavest!" she burst
into singing:
Take back the bottle thou gavest
What are my bruised knees to thee!
and tossed the arnica bottle at Dorothy, and renewed her everlasting
study of Juliet.
CHAPTER XXI
SEEKING REFUGE FROM THE STORM
The first appearance of the new Juliet was but one week off. Sybil had
spent the last fortnight with Mrs. Van Camp, and some very hard work had
been done in the quaint old drawing-room, for be it known there are few
more difficult undertakings than the proper coaching of an inexperienced
girl for the playing of a great part.
The actress who has made her way gradually acquires, all unconsciously,
a hundred nameless graces, little tricks of manner, movement or
expression, poses, poises, flutterings, the turn of the head or the
glance of the eye, and all seem so natural, so spontaneous; but try to
teach them to a novice and both coach and pupil will find their work cut
out for them.
The process is an unnatural one, and the result is a forced blossom,
that, however brilliantly beautiful, has a frail exotic air that makes
even admirers wonder if the plant has sufficient strength ever to bloom
again.
Public-domain text, read in full here on John Shaqi.
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