A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Stewart Thrall knew perfectly what drudgery coaching meant, and
perversely told himself, up to the very last moment, that he should
send, in a day or two, to-morrow, next day, for "Mother Mordaunt" (whose
home was irreverently termed "The Hatchery," because of the numbers of
amateurs she ever had in training there), and place the Crown Princess
in her hands, "for drill, tuition, and discipline," and with insidious
self-deception he went so far as to write a note to summon her. Then he
caught at the word "drill" to hang his changed opinion on. He did not
want her "drilled" out of all the bright spontaneity that was in her
now; and, come to think of it, all Mrs. Mordaunt's pupils were trained
to the same pattern--they were merely weak copies of herself. He
believed, after all, he would undertake the task himself, and he tore to
bits the note summoning Mrs. Mordaunt, and wrote instead that line to
Sybil, which had caused her so much surprised gratitude, and then
remarked casually to Jim Roberts, who sat in the private office with him
and carefully polished the metalled gauntlets that belonged to a coat of
mail: "I don't know but what young Fitzallen is too inexperienced to do
Romeo with a green-girl Juliet. It's rather too great a risk. Maybe I
had better go on for it myself, though I suppose I'll scarcely look the
part now, even in some new and youthful toggery?"
Roberts looked up from his task, with a queer expression of blended
admiration and anger on his face, and answered: "You'll look the part
all right, just as well as you ever did, but--what's the use of trying
to deceive yourself, for you wouldn't condescend to try to deceive me
surely. You know well enough that as long ago as when you telegraphed me
to bring Miss Lawton back from the West you had already decided to play
Romeo to her Juliet, and I knew it as well as you did, so what's the
use?"
"Indeed! Why, you are becoming clairvoyant! Isn't that what they call
the fellow who lies about seeing things that have never occurred? Jim,
you're off your base!"
"Easy, Thrall!" answered Roberts, in a low tone. "A sneer more or less
doesn't matter much, but we will draw the line at 'lying!' And if I'm
off my base no one knows why better than you do!"
With a muttered oath Thrall left the room, but he took the note that
summoned Sybil and mailed it himself.
They had worked hard and long in the old-timey drawing-room, for only
the very last rehearsals were to be held upon the stage with the full
company. Sybil had rehearsed until her head ached, her throat throbbed,
and her lips were dry and parched. High-spirited, restless,
quick-tempered, she forced herself to docility, and patiently repeated,
went back, and began over, bore criticisms with hard-won meekness, and
when she received an approving word her tired lips curled into the
lovely smile that thrilled her teacher's nerves.
Public-domain text, read in full here on John Shaqi.
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