A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Sybil, entering by the opposite door, saw a thin, elderly woman, whose
dark hair sprinkled with gray and banded smoothly down over each ear,
whose small, dark eyes, whose thin, pale-lipped, closely closed mouth,
and long, drooping nose spelled as plainly as letters could the
word--discreet. Her black gown and unspeakably respectable bonnet, her
thick but plain cloak, her neat cashmere gloves, were all prim adjuncts
to that picture of _discretion_. She stood in true servant-like
attitude, eyes down and hands crossed at the exact waist-line; and as
Sybil reached her god-mother's side that lady, raising her glasses to
look at the stranger, said: "Mrs. Stivers, I wish to--why! why! you're
Martin--you are surely Jane Martin?" and sat staring.
"Yes, Madam Van Camp," she replied, "I am Jane that was in your
sewing-room three years and more. I didn't think you'd remember a
servant's face so long, so I didn't tell Mr. Thrall I'd been in your
service. My husband was a boss carpenter in a theatre, and that took me
there. Me being a good needle-woman, I got work in the wardrobe, and
gradually learned the business thorough-like; and when my husband died,
as I wanted to hold on to the house, I began taking lodgers as well as
working at the theatre, so as to pay off the mortgage some time, I do
hope, ma'am."
Both women sighed sympathetically as they listened to Mrs. Stivers's
calm and self-controlled statement of her financial and professional
situation, little dreaming that the oppressive mortgage existed only in
the imagination of the undemonstrative widow, who found it too powerful
a lever in raising the rent of rooms, in raising her salary, and in
raising the hats of compassionate observers--to be willingly abandoned.
But though the house mortgage had been cancelled long ago, she was then
by way of secretly placing a mortgage upon her own character for upright
honesty, for sincerity, for honor. True, there was no overt agreement to
dupe a young girl and to circumvent her friends; yet if she made no
slip, trip, or blunder in this matter intrusted to her, she surely knew
that at its end Stewart Thrall, who guided, governed, and controlled
her, would hold first mortgage on her character, since by tacit,
unspoken agreement she would become a living surveillance, a personified
treachery, while still deceptively wearing the livery of prim
respectability and honest labor.
Now, Mrs. Van Camp asked the woman to be seated; expressed regret for
her bereavement, and, because of the excellent impression Jane Martin
had made upon her in the past, looked with unusually lenient eyes upon
Jane Stivers of the present, and accepted readily her statements, and
trustingly saw in her rectitude, her intelligence, and her respectful
and deferential manner the most desirable sort of combination--landlady,
maid, and sheep-dog.
Public-domain text, read in full here on John Shaqi.
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