A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
When terms came to be considered, though they seemed surprisingly easy,
Sybil nervously checked Mrs. Van Camp's acceptance of them, saying that
her salary hardly justified such an outlay.
"Oh, Miss Lawton, if you'll pardon the interruption," said Jane Stivers,
"your salary will be quite a different thing when you begin playing
Juliet. Anyone would know that, as a mere matter of course. But besides
that, when Mr. Thrall did me the service of mentioning this matter, he
honored my little home with a call, and as he was going he puts on his
hat and says: 'And I must have now a bit of a business talk with our
little Royal Princess'--that's you, Miss; theatrical people are great
for tagging folks with names, be you high or be you low--you're bound to
get a tag; even I, miss, have been 'Jane Penny' ever since some
rattle-brain found that Stiver was Dutch for a penny."
Sybil recalled her mother's old saying, "Not worth a stiver," and
laughed, while Jane went on.
"Yes, ma'am, he said he must have a little talk with the Royal Princess
and add a cipher to her salary, so she could settle down with a quiet
mind, free for Juliet alone."
And on the strength of that report Mrs. Van Camp accepted the offered
terms, but advised Sybil to run over with "Martin," as she would call
her, "to look at the apartments and ascertain if there was a sun
exposure for at least one room; and whether the drains were all right,
and the gas-pipes innocent of dangerous leakage."
And Sybil--the wish being father to the thought--declared the house
quite perfect. Mrs. Lawton was notified by letter, and while awaiting
her answer a "lightning-change artist" had been at work upon walls and
floor of the front room. The drab and blue horror of the wall had become
a clear primrose yellow with white enamelled picture-rails. The floor
being of old, badly matched pine-boards, and there being no time for
painting or staining, was completely covered with a dull grayish-green
carpet, with pure white rugs before sofa, writing-desk, etc.; and with
flowing white curtains with broad primrose ribbon-ties and a
white-framed rocker with cushion of grayish green, flowered over with
pale primroses. These changes made so magical an effect that Sybil,
coming on the third day to take possession, stood astounded.
"Yes, ma'am," evenly admitted Jane Stivers, "it was a bit of a rush, and
I could not manage to get the second room done so quickly. The expense?
Oh, I have been saving up for months for the express purpose of doing up
my rooms."
But Sybil was amazed at the artistic taste shown here; it was in such
strange contrast to the black hair-cloth, the shiny white and gold
paper, the wax flowers of the parlor, that yet evidently filled Jane's
soul with pride.
"Whom did you advise with, Mrs. Stivers?" she asked, as her fingers
stroked the flowered cushion.
Public-domain text, read in full here on John Shaqi.
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