A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
"No one. I did it all myself." Then, as a quick side-glance caught the
unbelief on her lodger's face, she added: "No, I don't know, on second
thought, but what I did get a hint about the color you would be likely
to favor. I recall now that Mr. Thrall remarked, seeing that paper
hanging in the dealer's window: 'What a fine background for some
dark-haired woman.' So I just caught the idea, as you may say."
"You are a very clever woman, I see," answered Sybil, who went joyously
about her unpacking, looking every ten minutes from the window for
Dorothy, who was coming with home photographs, Lena's personally
constructed pillow-sham with a large blue cotton "S. L." worked in the
middle, a beautiful old paper-knife from papa, a silver powder-box from
Leslie, and two pretty but broken fans from mamma, who thought they
would decorate a room nicely, giving quite a little studio-like
touch--all to be used in "homing the rooms," as Dorothy put it.
Godmamma Van Camp sent three really precious old engravings that
Dorothy, with hat still on, went about rapturously holding up against
the clear yellow wall, smacking her young lips as though she were
tasting something.
The most exciting moment of the girls' day was when going into the
second room Dorothy pointed to a corner cabinet and said: "What's that,
Syb?"
"What's what?" asked that person from near the bottom of the trunk Jane
was waiting to remove to the attic.
"That in the corner?"
Sybil rose, red and hot, and looked while Jane pulled the trunk out.
Then she exclaimed: "Why, that was not there when I came to look at the
rooms first!" She went over to it. A small visiting-card was attached to
the key--the card of Stewart Thrall. She opened the cabinet door and
revealed a coffee outfit. Two cries of delight arose; alcohol was sent
for--the picnic was on!
In Africa when a creature is too mighty for the hunters, the wily
natives contrive a great trap--they dig a deep pit, and then cover it
over with frail green boughs and grasses, until it looks like the rest
of the green matted ground about it. They are careful, too, to place
this trap in the neighborhood of some rushing river or some stilly pool
where in the moonlight or at earliest flush of dawn the great creature
must go to lap the cooling water. Then, when it has crashed through into
helpless captivity, the small cunning enemy may work their will upon it.
Now, the strange thing is--this cruel and treacherous practice is not
confined to Africa. Sometimes pits are dug before young feet and
carefully hidden beneath boughs of friendship and flowers of love. Right
here in our great city, if we listen closely, we may hear the crashing
fall of the victim!
CHAPTER XXIII
THE WOMAN IN THE BOX
Public-domain text, read in full here on John Shaqi.
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