A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
As they came out of the Forty-second Street station they rushed, after
the true American fashion, for a Fourth Avenue car. Another followed in
two minutes, and had they been German or English they would in leisurely
comfort have taken that, but being American they quite needlessly made a
breathless rush for the first car, and at its step collided violently
with a rotund and florid old male--"glass-of-fashion and mould-of-form."
Three "beg pardons" rose simultaneously into the air. Each party drew
back deferentially. The conductor, with murder in his eye, yelled
fiercely: "Step lively there, will youse!" With beautiful obedience they
all sprang forward to a--second collision. Puffing like a porpoise, the
old man, hat in hand, gasped apologies to the now helplessly confused
girls, until the conductor, with a contemptuous: "Ah--what's the matter
wid youse--eider get on or take de nex'," began hauling the girls
roughly up the steps with one hand, while with the other he savagely
jerked the starting-bell, leaving the man to decide for himself whether
to risk his elderly limbs boarding a moving car or to wait for "de nex'"
The decision was swiftly made, for, firmly grasping the platform
railing, he ran a few steps by the car and then swung himself safely
up, in quite a jaunty fashion--for this rakish old beau had determined
to keep the girlish young beauties in sight.
Coming from the station, and each carrying, as he noticed, a small black
silk bag, he correctly concluded that, all unattended, they were
undertaking a shopping expedition, and he drew himself up with an air
and began to twirl his gray mustache, for, relying on their innocence,
his own impressive manner, and the recent contretemps for assistance, he
hoped to force an acquaintance--one of those chance acquaintances that,
dreaded by all parents, are the absolute bête noir of those mothers who
have not been able to teach their young daughters to distinguish between
a very courteous reserve and an almost "hail fellow" freedom of speech
with amiable strangers. So, it was not long before Sybil, earnestly
discussing at what point on their list they should begin, and whether
they should leave the car at Twenty-third or at Fourteenth Street,
discovered that the overdressed old man opposite was ogling Dorrie
outrageously, and her dark eyes flashed indignant glances at him, while
she did her best to hold her sister's attention, that she might not be
annoyed and shamed by his conduct. This comedy of glances finally caught
the attention of a grave-faced young man sitting next to Sybil. He
followed the direction of the old man's bold glances, and Dorothy's
sweet face held him like a magnet. The rounded cheek, the soft, clear
coloring, the sunny, brown hair, the innocent, widely open blue eyes,
and the slight lift of the brows, that all unconsciously gave her the
pathetic, pleading look that made people ever eager to serve her, moved
Public-domain text, read in full here on John Shaqi.
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