A Pasteboard Crown: A Story of the New York Stage — John Shaqi
A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
But really, no one knowing anything about the old place could help
having a feeling of amazement at hearing of a tenant being found for it.
It was that saddest, most uncanny thing--a deserted house. A great, big,
Colonial-like frame structure, it stood high on the hillside, showing
white and ghostly between the too-closely set evergreens and conifers
before it. That money had been lavished upon the place in the distant
past was evident even in these very trees, which were the choicest of
their kind. He who had planted them must have been a melancholy man.
Drooping, mournful trees seemed particularly to appeal to him, for the
very rare weeping hemlock, like a black fountain, was there as well as
the weeping larch, with its small cones; and a veritable army of white
pines, Norway spruces, balsam firs, and the red cedar that in its
blackish stateliness is so like the Irish yew. A solemn company at the
best of times, when properly spaced and trimmed, but now with unpruned
branches intertwining, the trees that were killing one another in their
struggle for light were positively lugubrious. And behind that screen of
matted, many-shaded evergreen the pallid, bony old house stood trembling
under high winds, while its upper windows stared blankly down upon that
Broadway that, escaping from the hurrying city with its millions of
restless feet, here passed calmly on, by woodland and green meadows,
toward distant Albany.
The cruel roadway had swept away with it all the footsteps that had used
to make life in the old house. Two great gates were let into the stone
wall. One was locked so securely that even a burglar might have failed
to solve the combination of a ten years' twisted leafy growth of
woodbine; but whenever anyone wished to enter the grounds he went to the
second gate, which was easily opened by the simple process of throwing
it down and walking over it. Grass grew in tufts down the old carriage
drive, and all about the lower part of the house were curious stains
that looked as though little green waves had washed up against it, while
on the north side the long streaks of green beneath the windows
painfully suggested tear-marks on its white old face. A melancholy and
unwholesome place for people to seek a home in, and yet the morning's
report proved reliable, for Jacob Brewer's handy man had been over to
the old White house, as people would call it, because Peter White had
lived and died there years ago, and had cleared up a bit; had secured
two or three hanging shutters, put a swing-door in the kitchen and a
bolt on the front door, and had tacked on to the mighty body of an
ancient willow--a landmark for miles about that grew directly by the
unhinged gate--a strip of black painted tin, bearing in gold letters the
word "Woodsedge"--and lo! the old house was ready for the new tenant.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account