She was so enthusiastic that Chris felt quite sorry that she must
destroy this charming arrangement by pointing out that the room was
wanted for the ball on Friday night, and that there would be no time to
put up a stage on Thursday and to take it down and re-arrange the room
for the night after.
“Well, there must be some other room in a big place like this,” said
Mrs. Graham-Shute, still buoyantly. “Come, you set your wits to work
to help me, like a dear girl, and I’m sure we shall manage something
between us.”
Chris began to see that she had better indulge her, as she would want
something to keep her occupied during the next few days.
“There’s a great place that was built for a barn, that was used for a
school treat in the summer, I believe. It’s down by the new stables, a
quarter of a mile away. I don’t know whether that would do. There are
some tables and trestles piled up in one corner; perhaps they could be
made into a stage.”
“The very thing!” cried Mrs. Graham-Shute, enthusiastically. “I knew we
should manage it somehow.”
But Chris saw difficulties where her companion saw none.
“But you will want a lot of people, performers and spectators too,” she
objected. “And then, have you considered that there will be dresses to
be made, and scenes to be rehearsed? There’s a lot of work to be done
to get _tableaux_ up properly.”
But to get a thing up properly was what Mrs. Graham-Shute never
troubled to do. To get it up somehow was always the extreme limit of
her ambition. She was already perfectly satisfied, and she proceeded at
once to settle other details as summarily as the first.
“We will do fairy tales, I think,” she said. “The dresses will be
cheap and easily made. We can have the ‘Sleeping Beauty,’ with Lilith
as Beauty, and ‘Robinson Crusoe’ and ‘Red Riding Hood,’ and--and any
of those things, don’t you know? With all my cousin’s curiosities and
things we can make a lovely palace for the ‘Sleeping Beauty.’”
Mrs. Abercarne had raised her double eye-glass, and was looking
horror-struck at this suggested desecration.
Chris, with a frightened glance at her mother, hastened to say:
“But, then, the performers? Who would you have for the _tableaux_?”
“Oh, well, there must be some family in the neighbourhood quite used to
such things. There always is, you know. I must ask my cousin John about
that. I suppose you wouldn’t know of anybody?”
“Well, there are the Brownes. Mr. Browne is a brewer, the head of the
firm of Browne & Browne. It’s a large family, and they can act, I
believe.”
Public-domain text, read in full here on John Shaqi.
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