Measured by the common rules, Whitman’s work is neither poetry nor
prose; it is remotely allied to the wild chanting of the primitive
bards, who looked about at the fresh new marvels of earth and sky and
sea, and unhampered by forms and rules and customs, sang of the miracles
of the universe and the mysteries of life. Whitman seems one of those
old bards, fresh from the hand of nature, young with the first creation,
the newest handwork of the great Master, untaught in any schools,
unfettered by any of the myriad chords, which time is ever weaving about
the brains and hearts and consciences of men as the world grows gray; a
primitive bard of nature, born by some chance or accident in this old,
tired, worn-out world, dropped into this Nineteenth century with its
machines and conventions, its artificial life, its unnatural morals and
its fettered limbs. He alone in all the ages seems to have been
specially given to the world, still fresh with the imprint of the
Creator’s hand, and standing amid all our false conventions, natural,
simple, true, “naked and not ashamed.” To the world with its crowded
cities, its diseased bodies, its unnatural desires, its narrow religion,
and its false morals, he comes like a breeze of the morning, from the
mountains or the sea. Aye, like a breath of that great, creative life,
which touched the fresh world and brought forth the green grass, the
sparkling waters and the growing, beauteous, natural earth.
No one ever fell in love with Whitman’s work for its literary art, but
his work must live or die because of his philosophy of life and the
material he chose from which to weave his songs. It is in his whole
point of view that Walt Whitman stands so much alone. No one else has
ever looked on the universe and life as this man did. If religion means
devotion to that great unseen power that is ever manifest in all of
nature’s works, then Walt Whitman was the most reverent soul that ever
lived. This man alone of all the world dared defend the Creator in every
part and parcel of his work. The high mountains, the deep valleys, the
broad plains and the wide seas; the feelings, the desires, and the
passions of man; all forms of life and being that exist upon the earth,
were to him but several manifestations of a great creative power that
formed them all alike, made each one needful to the whole, and every
portion sacred through its Master’s stamp.
And I will show that there is no imperfection in the present and can be
none in the future,
And I will show that whatever happens to anybody it may be turn’d to
beautiful results,
And I will show that nothing can happen more beautiful than death.
Public-domain text, read in full here on John Shaqi.
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