Although a plough boy and surrounded by the grime and dirt that come from contact with the soil, still even here Burns found material for music and poetry that will live as long as human hearts endure; for, though the sky may be warmer and bluer on the Mediterranean shore than where it domes the Scottish hills and crags, still the same heaven bends above them both, and the same infinite mysteries are hidden in their unfathomed depths. The tragedy of death is alike, whether defying the power of a Prince, or entering the home of the humblest peasant to bring the first moments of relief and rest. The miracle of life, whether wrought by Nature on the rich couch of the Queen or the unwatched pallet of the peasant, is the same mystery, ever new, ever old, appealing ever to the heart of man. The affections and passions,—those profound feelings that Nature planted deep in the being of all sentient things, and on whose strength all life depends,—these are the deepest and purest as we leave the conventions and trappings of the artificial world, and draw nearer to the heart of the great Universal power. With the sky above, the fields around, and all Nature throbbing and teeming with pulsing life, but one thing more was needed to make harmony and music, and that was Robert Burns. The old story of human love was sung by him a thousand times and in a thousand varying moods, as never love was sung before. It mattered not that his melodies breathed of rustic scenes, of country maids, and of plain untutored hearts that beat as Nature made them feel, unfettered by the restraints and cords of an artificial life. Transport his Mary to a gorgeous palace, and deck her fair form with the richest treasures of the earth and bring to her side the proudest noble that ever paid homage to a princess, and no singer,—not even Burns himself,—could make a melody like the matchless music that he sung to Highland Mary. How sweetly bloom’d the gay green birk, How rich the hawthorn’s blossom; As underneath their fragrant shade, I clasp’d her to my bosom! The golden hours, on angel wings, Flew o’er me and my dearie; For dear to me as light and life Was my sweet Highland Mary. All the conventions and baubles and spangles which fashion and custom use to adorn the fair could only have cheapened and made vulgar the rustic maiden that moved Burns’ soul to song. These sweet lines could never have been written of any but a simple country lass, whose natural charms had moved a susceptible human heart: I see her in the dewy flowers, I see her sweet and fair; I hear her in the tunefu’ birds, I hear her charm the air;