Conrad, Joseph, 1857-1924; Novelists, English -- 20th century -- Biography
Having matured in the surroundings and under the special conditions of
sea life, I have a special piety toward that form of my past; for its
impressions were vivid, its appeal direct, its demands such as could be
responded to with the natural elation of youth and strength equal to the
call. There was nothing in them to perplex a young conscience. Having
broken away from my origins under a storm of blame from every quarter
which had the merest shadow of right to voice an opinion, removed by
great distances from such natural affections as were still left to
me, and even estranged, in a measure, from them by the totally
unintelligible character of the life which had seduced me so
mysteriously from my allegiance, I may safely say that through the blind
force of circumstances the sea was to be all my world and the merchant
service my only home for a long succession of years. No wonder, then,
that in my two exclusively sea books--“The Nigger of the Narcissus,” and
“The Mirror of the Sea” (and in the few short sea stories like “Youth”
and “Typhoon”)--I have tried with an almost filial regard to render the
vibration of life in the great world of waters, in the hearts of the
simple men who have for ages traversed its solitudes, and also that
something sentient which seems to dwell in ships--the creatures of their
hands and the objects of their care.
One's literary life must turn frequently for sustenance to memories and
seek discourse with the shades, unless one has made up one's mind to
write only in order to reprove mankind for what it is, or praise it for
what it is not, or--generally--to teach it how to behave. Being neither
quarrelsome, nor a flatterer, nor a sage, I have done none of these
things, and I am prepared to put up serenely with the insignificance
which attaches to persons who are not meddlesome in some way or other.
But resignation is not indifference. I would not like to be left
standing as a mere spectator on the bank of the great stream carrying
onward so many lives. I would fain claim for myself the faculty of so
much insight as can be expressed in a voice of sympathy and compassion.
It seems to me that in one, at least, authoritative quarter of criticism
I am suspected of a certain unemotional, grim acceptance of facts--of
what the French would call _secheresse du coeur_. Fifteen years of
unbroken silence before praise or blame testify sufficiently to my
respect for criticism, that fine flower of personal expression in the
garden of letters. But this is more of a personal matter, reaching the
man behind the work, and therefore it may be alluded to in a volume
which is a personal note in the margin of the public page. Not that
I feel hurt in the least. The charge--if it amounted to a charge at
all--was made in the most considerate terms; in a tone of regret.
Public-domain text, read in full here on John Shaqi.
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