Conrad, Joseph, 1857-1924; Novelists, English -- 20th century -- Biography
I admit that almost anything, anything in the world, would serve as a
good reason for not writing at all. But since I have written them, all I
want to say in their defense is that these memories put down without
any regard for established conventions have not been thrown off without
system and purpose. They have their hope and their aim. The hope that
from the reading of these pages there may emerge at last the vision of
a personality; the man behind the books so fundamentally dissimilar
as, for instance, “Almayer's Folly” and “The Secret Agent,” and yet a
coherent, justifiable personality both in its origin and in its action.
This is the hope. The immediate aim, closely associated with the hope,
is to give the record of personal memories by presenting faithfully the
feelings and sensations connected with the writing of my first book and
with my first contact with the sea.
In the purposely mingled resonance of this double strain a friend here
and there will perhaps detect a subtle accord.
J. C. K.
A PERSONAL RECORD
I
Books may be written in all sorts of places. Verbal inspiration may
enter the berth of a mariner on board a ship frozen fast in a river in
the middle of a town; and since saints are supposed to look benignantly
on humble believers, I indulge in the pleasant fancy that the shade
of old Flaubert--who imagined himself to be (among other things) a
descendant of Vikings--might have hovered with amused interest over
the docks of a 2,000-ton steamer called the Adowa, on board of which,
gripped by the inclement winter alongside a quay in Rouen, the tenth
chapter of “Almayer's Folly” was begun. With interest, I say, for was
not the kind Norman giant with enormous mustaches and a thundering voice
the last of the Romantics? Was he not, in his unworldly, almost ascetic,
devotion to his art, a sort of literary, saint-like hermit?
“'It has set at last,' said Nina to her mother, pointing to the hills
behind which the sun had sunk.” . . . These words of Almayer's romantic
daughter I remember tracing on the gray paper of a pad which rested on
the blanket of my bed-place. They referred to a sunset in Malayan Isles
and shaped themselves in my mind, in a hallucinated vision of forests
and rivers and seas, far removed from a commercial and yet romantic town
of the northern hemisphere. But at that moment the mood of visions and
words was cut short by the third officer, a cheerful and casual youth,
coming in with a bang of the door and the exclamation: “You've made it
jolly warm in here.”
Public-domain text, read in full here on John Shaqi.
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