England -- Social life and customs -- 19th century -- Fiction; Paranormal fiction
"I suppose my husband was very shocked at the whole matter," she
said--"told it you with as little detail as possible, and assured you
very solemnly that he hoped the whole story might be a mere dreadful
calumny? Poor Willie! I remember already when we were children, and I
used to come with my mother to spend Christmas at Okehurst, and my cousin
was down here for his holidays, how I used to horrify him by insisting
upon dressing up in shawls and waterproofs, and playing the story of the
wicked Mrs. Oke; and he always piously refused to do the part of Nicholas,
when I wanted to have the scene on Cotes Common. I didn't know then that I
was like the original Alice Oke; I found it out only after our marriage.
You really think that I am?"
She certainly was, particularly at that moment, as she stood in a white
Vandyck dress, with the green of the park-land rising up behind her, and
the low sun catching her short locks and surrounding her head, her
exquisitely bowed head, with a pale-yellow halo. But I confess I thought
the original Alice Oke, siren and murderess though she might be, very
uninteresting compared with this wayward and exquisite creature whom I had
rashly promised myself to send down to posterity in all her unlikely
wayward exquisiteness.
One morning while Mr. Oke was despatching his Saturday heap of Conservative
manifestoes and rural decisions--he was justice of the peace in a most
literal sense, penetrating into cottages and huts, defending the weak and
admonishing the ill-conducted--one morning while I was making one of my
many pencil-sketches (alas, they are all that remain to me now!) of my
future sitter, Mrs. Oke gave me her version of the story of Alice Oke and
Christopher Lovelock.
"Do you suppose there was anything between them?" I asked--"that she was
ever in love with him? How do you explain the part which tradition ascribes
to her in the supposed murder? One has heard of women and their lovers who
have killed the husband; but a woman who combines with her husband to kill
her lover, or at least the man who is in love with her--that is surely very
singular." I was absorbed in my drawing, and really thinking very little of
what I was saying.
"I don't know," she answered pensively, with that distant look in her eyes.
"Alice Oke was very proud, I am sure. She may have loved the poet very
much, and yet been indignant with him, hated having to love him. She may
have felt that she had a right to rid herself of him, and to call upon her
husband to help her to do so."
"Good heavens! what a fearful idea!" I exclaimed, half laughing. "Don't you
think, after all, that Mr. Oke may be right in saying that it is easier and
more comfortable to take the whole story as a pure invention?"
"I cannot take it as an invention," answered Mrs. Oke contemptuously,
"because I happen to know that it is true."
Public-domain text, read in full here on John Shaqi.
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