England -- Social life and customs -- 19th century -- Fiction; Paranormal fiction
An hour later the house was filled with the strangest crew and the
strangest noises. I had entered, to a certain extent, into William Oke's
feeling of unwillingness to let his ancestors' clothes and personality be
taken in vain; but when the masquerade was complete, I must say that the
effect was quite magnificent. A dozen youngish men and women--those who
were staying in the house and some neighbours who had come for lawn-tennis
and dinner--were rigged out, under the direction of the theatrical cousin,
in the contents of that oaken press: and I have never seen a more beautiful
sight than the panelled corridors, the carved and escutcheoned staircase,
the dim drawing-rooms with their faded tapestries, the great hall with its
vaulted and ribbed ceiling, dotted about with groups or single figures that
seemed to have come straight from the past. Even William Oke, who, besides
myself and a few elderly people, was the only man not masqueraded, seemed
delighted and fired by the sight. A certain schoolboy character suddenly
came out in him; and finding that there was no costume left for him, he
rushed upstairs and presently returned in the uniform he had worn before
his marriage. I thought I had really never seen so magnificent a specimen
of the handsome Englishman; he looked, despite all the modern associations
of his costume, more genuinely old-world than all the rest, a knight for
the Black Prince or Sidney, with his admirably regular features and
beautiful fair hair and complexion. After a minute, even the elderly people
had got costumes of some sort--dominoes arranged at the moment, and hoods
and all manner of disguises made out of pieces of old embroidery and
Oriental stuffs and furs; and very soon this rabble of masquers had become,
so to speak, completely drunk with its own amusement--with the
childishness, and, if I may say so, the barbarism, the vulgarity underlying
the majority even of well-bred English men and women--Mr. Oke himself doing
the mountebank like a schoolboy at Christmas.
"Where is Mrs. Oke? Where is Alice?" some one suddenly asked.
Mrs. Oke had vanished. I could fully understand that to this eccentric
being, with her fantastic, imaginative, morbid passion for the past, such a
carnival as this must be positively revolting; and, absolutely indifferent
as she was to giving offence, I could imagine how she would have retired,
disgusted and outraged, to dream her strange day-dreams in the yellow room.
But a moment later, as we were all noisily preparing to go in to dinner,
the door opened and a strange figure entered, stranger than any of these
others who were profaning the clothes of the dead: a boy, slight and tall,
in a brown riding-coat, leathern belt, and big buff boots, a little grey
cloak over one shoulder, a large grey hat slouched over the eyes, a dagger
and pistol at the waist. It was Mrs. Oke, her eyes preternaturally bright,
and her whole face lit up with a bold, perverse smile.
Public-domain text, read in full here on John Shaqi.
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