If this fault shocks all judges of severe taste, how revolting must be all those forced witticisms, those intricate and puzzling thoughts, which abound in otherwise valuable writings! Is it to be endured, that in a work of mathematics it should be said: "If Saturn should one day be missing, his place would be taken by one of the remotest of his satellites; for great lords always keep their successors at a distance?" Is it endurable to talk of Hercules being acquainted with physics, and that it is impossible to resist a philosopher of such force? Such are the excesses into which we are led by the thirst for shining and surprising by novelty. This petty vanity has produced verbal witticisms in all languages, which is the worst species of false wit. False taste differs from false wit, for the latter is always an affectation--an effort to do wrong; whereas the former is often a habit of doing wrong without effort, and following instinctively an established bad example. The intemperance and incoherence of the imaginations of the Orientals, is a false taste; but it is rather a want of wit than an abuse of it. Stars falling, mountains opening, rivers rolling back, sun and moon dissolving, false and gigantic similes, continual violence to nature, are the characteristics of these writers; because in those countries where there has never been any public speaking, true eloquence cannot have been cultivated; and because it is much easier to write fustian than to write that which is just, refined, and delicate. False wit is precisely the reverse of these trivial and inflated ideas; it is a tiresome search after subtleties, an affectation of saying enigmatically what others have said naturally; or bringing together ideas which appear incompatible; of dividing what ought to be united; of laying hold on false affinities; of mixing, contrary to decency, the trifling with the serious, and the petty with the grand. It were here a superfluous task to string together quotations in which the word spirit is to be found. We shall content ourselves with examining one from Boileau, which is given in the great dictionary of Trévoux: "It is a property of great spirits, when they begin to grow old and decay, to be pleased with stories and fables." This reflection is not just. A great spirit may fall into this weakness, but it is no property of great spirits. Nothing is more calculated to mislead the young than the quoting of faults of good writers as examples. We must not here forget to mention in how many different senses the word "spirit" is employed. This is not a defect of language; on the contrary, it is an advantage to have roots which ramify into so many branches. "Spirit of a body," "of a society," is used to express the customs, the peculiar language and conduct, the prejudices of a body. "Spirit of party," is to the "spirit of a body," what the passions are to ordinary sentiments.