American fiction -- 19th century; Sierra Nevada (Calif. and Nev.) -- Fiction
The young man seated himself on one of the logs and deeply inhaled the
sharp balsamic fragrance--albeit with a slight cough and a later hurried
respiration. This, and a certain drawn look about his upper lip,
seemed to indicate, in spite of his strength and color, some pulmonary
weakness. He, however, rose after a moment's rest with undiminished
energy and cheerfulness, readjusted his knapsack, and began to lightly
pick his way across the fallen timber. A few paces on, the muffled whir
of machinery became more audible, with the lazy, monotonous command
of “Gee thar,” from some unseen ox-driver. Presently, the slow,
deliberately-swaying heads of a team of oxen emerged from the bushes,
followed by the clanking chain of the “skids” of sawn planks, which they
were ponderously dragging with that ostentatious submissiveness peculiar
to their species. They had nearly passed him when there was a sudden
hitch in the procession. From where he stood he could see that a
projecting plank had struck a pile of chips and become partly imbedded
in it. To run to the obstruction and, with a few dexterous strokes and
the leverage of his stout stick, dislodge the plank was the work not
only of the moment but of an evidently energetic hand. The teamster
looked back and merely nodded his appreciation, and with a “Gee up! Out
of that, now!” the skids moved on.
“Much obliged, there!” said a hearty voice, as if supplementing the
teamster's imperfect acknowledgment.
The stranger looked up. The voice came from the open, sashless,
shutterless window of a rude building--a mere shell of boards and beams
half hidden in the still leafy covert before him. He had completely
overlooked it in his approach, even as he had ignored the nearer
throbbing of the machinery, which was so violent as to impart a decided
tremor to the slight edifice, and to shake the speaker so strongly that
he was obliged while speaking to steady himself by the sashless frame
of the window at which he stood. He had a face of good-natured and alert
intelligence, a master's independence and authority of manner, in spite
of his blue jean overalls and flannel shirt.
“Don't mention it,” said the stranger, smiling with equal but more
deliberate good-humor. Then, seeing that his interlocutor still
lingered a hospitable moment in spite of his quick eyes and the jarring
impatience of the machinery, he added hesitatingly, “I fancy I've
wandered off the track a bit. Do you know a Mr. Bradley--somewhere
here?”
The stranger's hesitation seemed to be more from some habitual
conscientiousness of statement than awkwardness. The man in the window
replied, “I'm Bradley.”
Public-domain text, read in full here on John Shaqi.
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