American fiction -- 19th century; Sierra Nevada (Calif. and Nev.) -- Fiction
She turned away, undressed herself mechanically, and went to bed. She
had an idea that she had been very foolish; that her escape from
being still more foolish was something miraculous, and in some measure
connected with Providence, her father, her little brother, and her dead
mother, whose dress she had recklessly spoiled. But that she had even so
slightly touched the bitterness and glory of renunciation--as written
of heroines and fine ladies by novelists and poets--never entered the
foolish head of Minty Sharpe, the blacksmith's daughter.
CHAPER IV.
It was a little after daybreak next morning that Mainwaring awoke from
the first unrefreshing night he had passed at The Lookout. He was so
feverish and restless that he dressed himself at sunrise, and cautiously
stepped out upon the still silent veranda. The chairs which he and
Louise Macy had occupied were still, it seemed to him, conspicuously
confidential with each other, and he separated them, but as he looked
down into the Great Canyon at his feet he was conscious of some
undefinable change in the prospect. A slight mist was rising from the
valley, as if it were the last of last night's illusions; the first
level sunbeams were obtrusively searching, and the keen morning air had
a dryly practical insistence which irritated him, until a light footstep
on the farther end of the veranda caused him to turn sharply.
It was the singular apparition of a small boy, bearing a surprising
resemblance to Minty Sharpe, and dressed in an unique fashion. On a
tumbled sea of blond curls a “chip” sailor hat, with a broad red ribbon,
rode jauntily. But here the nautical suggestion changed, as had the
desire of becoming a pirate which induced it. A red shirt, with a white
collar, and a yellow plaid ribbon tie, that also recalled Minty Sharpe,
lightly turned the suggestion of his costume to mining. Short black
velvet trousers, coming to his knee, and ostentatiously new short-legged
boots, with visible straps like curling ears, completed the entirely
original character of his lower limbs.
Mainwaring, always easily gentle and familiar with children and his
inferiors, looked at him with an encouraging smile. Richelieu--for it
was he--advanced gravely and held out his hand, with the cameo ring
apparent. Mainwaring, with equal gravity, shook it warmly, and removed
his hat. Richelieu, keenly observant, did the same.
“Is Jim Bradley out yet?” asked Richelieu, carelessly.
“No; I think not. But I'm Frank Mainwaring. Will I do?”
Richelieu smiled. The dimples, the white teeth, the dark, laughing eyes,
were surely Minty's?
“I'm Richelieu,” he rejoined with equal candor.
“Richelieu?”
“Yes. That Frenchman--the Lord Cardinal--you know. Mar saw Forrest do
him out in St. Louis.”
“Do him?”
“Yes, in the theayter.”
Public-domain text, read in full here on John Shaqi.
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