A Pindarick Ode on Painting: Addressed to Joshua Reynolds, Esq. — John Shaqi
A Pindarick Ode on Painting: Addressed to Joshua Reynolds, Esq.Morrison, Thomas
General
A Pindarick Ode on Painting: Addressed to Joshua Reynolds, Esq.
Morrison, Thomas
Painting -- Poetry
Coming now to the letters, the earliest of these, written in February,
1753, is from Morrison to the Bishop of Exeter, Dr. Lavington, who two
years before had published the third part of his book, _The Enthusiasm
of Methodists and Papists Compared_. The letter is inscribed on the
outside "Mr. Morrison's Ode," and must have been returned to its writer
after the Bishop's death in 1762.
My Lord,
Since I had the honour of being with your Lordship in Exeter I
have with great pleasure read over the third part of the
Enthusiasm of Methodists and Papists compar'd, and as by having my
Boy at present under my own Care I have been oblig'd to renew my
acquaintance a little with the Classicks, I have endeavour'd to
express my Sentiments of your Lordship's learned and acute
performance in the following Ode, which if it should afford you a
Quarter of an Hours Amusement will be no little pleasure to
me--that your Lordship may read it with the more Indulgence think
that the Scribbler of it has not attempted to write Latin verse
for above twenty years, and believe me to be with the Highest
Respect,
Your Lordship's most oblig'd
and most obedient Humble Servant
T. Morrison.
My best Respects wait on your Lady and Miss Lavington.
Here follows the ode ("Reverendo admodum Episcopo Exoniensis in
doctissimum adversus Methodistas Librum cui Titulus etc.") which begins:
Verende praesul, praesul amabilis,
Qui dulce rides, utiliter doces;
Jucunda permiscens severis,
Incolumi gravitate ludens,
Quia Methodistes scripta legens tui
Amoenitatem respuat ingeni,
Suumque vestro--vel reluctans--
Abstineat sociare risum?
and continues for a further sixteen stanzas.
There is nothing to show to whom the next letter was written, though,
considering the later ones, it seems likely that it was addressed to
Joshua Reynolds. It concerns a tragedy (on the subject of the Emperor
Otho) of which Morrison was undoubtedly the author. John Beard, on whose
behalf the letter was written in February, 1763, had become manager of
Covent Garden Theatre in the previous year.
Sir,
Mr. Beard's attention to the Affairs of the Theatre having
entirely taken up his Time, during this Season, from which, as
yet, he is not releas'd, deprives him of the Pleasure of writing
to you, in Answer to the Letter you did him the Favour of
communicating from the Author of Otho; he, therefore, hopes you
will excuse his deputing me to convey to you the Opinion of his
Friends thereon; and if they differ in Sentiment with the Author,
it is with some Concern, as they wou'd rather give Approbation to
a Piece, which has, indeed, great merit in the Writing, but will
not suit the Taste of an English Audience.
Public-domain text, read in full here on John Shaqi.
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