The grand comic opera episode at Oyster Bay especially appealed to a
number of Handy's admirers. There were several who intimated that he go
right in for grand polyglot opera and try and get hold of the
Metropolitan Opera House. He smiled knowingly at the suggestion, and
furthermore gave his volunteer advisers to understand that, in his
estimation, that institution was under the control of much more
accomplished fakers than his ambition aimed to reach. Besides, he
reasoned, he was not the kind of man to attempt to take the bread and
butter away from some other fellow. "My policy," said he, "is to live
and let live; and if you cannot get enough people with the long green,
as they call it, to at least guarantee the rent for the sake of art,
fashion, and display--or as the English song puts it, 'for England,
home, and booty'--the next best thing to do is to buy, borrow, or beg a
tent and start out and go it alone in the open."
One evening as Handy was on his way homewards he accidentally ran across
a friend who, as the saying goes, had seen better days, and who had at
various times a widespread acquaintance with the ups and downs of
theatrical life. This man's name was Fogg--Philander Fogg. In his way he
was as much a character as Handy himself. The ways of each, though, were
dissimilar. Fogg was what the Hon. Bardwell Slote would designate as a Q
K (curious cuss). He on one occasion distinguished himself as an amateur
actor, and barely escaped with his life in New Jersey for attempting to
play _Othello_ as a professional. In person he was tall, very slim, very
bald, slightly deaf, and as fresh as a daisy. He had a general and
miscellaneous acquaintance. His friends liked him because of his
inability to see a joke. The consequence was they had many amusing
experiences at Fogg's expense. The gossip of the stage he cherished and
cultivated. This made him a favorite with a large circle of female
acquaintances who go in for all that kind of thing. People living, as it
were, on the fringe of society, who lay the flattering unction to their
souls that they are living in Bohemia, and they are never so happy as
when they are settled in the company of some pseudo-player discussing
the drama and ventilating the small talk of the stage.
When Handy encountered Fogg the latter appeared in a hurry. There was
nothing new in that, however. No one who had any acquaintance with him
knew him to be otherwise. There are such people to be met every day and
everywhere. He was a type.
"The very man I was looking for," was his greeting, on meeting Handy. "I
want you to help me out. Great scheme! I'll take you in. I'm in a great
hurry now to keep an appointment. Important, very important! Where can I
meet you to-morrow forenoon? How have you been? Are you up in
Beausant--no, Col Damas, I mean? Don't you do anything until you see me!
Can you get Smith to----"
Public-domain text, read in full here on John Shaqi.
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