A Plain Introduction to the Criticism of the New Testament, Vol. I.Scrivener, Frederick Henry Ambrose
Religion
A Plain Introduction to the Criticism of the New Testament, Vol. I.
Scrivener, Frederick Henry Ambrose
Bible. New Testament -- Criticism, interpretation, etc.
inner or smooth side of the vellum) is in good preservation, and the
colours of the paintings wonderfully fresh. The binding is of strong black
leather, about 200 years old. As in Cod. B, the sheets are ranged in
quinions, the _signatures_ in silver by the original scribe standing at
the lower border of each quire on the right, and the pages being marked in
the upper border in modern black ink. In Cod. Σ there is no separation
between the words, it has no breathings or accents. Capital letters stand
outside the columns, being about twice the size of the rest, and the
smaller letters at the end of lines are not compressed, as we find them
even in Cod. P (_see_ pp. 144, 163). The letters are round and square,
and, as was abundantly seen above (pp. 33-40), belong to the older type of
writing. The punctuation is very simple: the full stop occurs half up the
letter. There are few erasures, but transcriptural errors are mostly
corrected in silver letters by the original scribe. To St. Matthew’s
Gospel is prefixed Eusebius’ Epistle to Carpianus and his Tables of
Canons, both imperfect; also lists of the κεφάλαια _majora_ and τίτλοι in
the upper margins of the several leaves, with a subscription to the first
Gospel (Ευαγγελιον κατα ματθαιον). This supplementary matter is written
somewhat smaller, but (as the editors judge) by the same hand as the text,
although the letters are somewhat more recent in general appearance, and ι
_ascriptum_ occurs, as it never does in the body of the manuscript:
[symbol] also is only twice abridged in the text, but often in the smaller
writing. In the margin of the Greek text the Ammonian sections stand in
minute characters over the numbers of the Eusebian canons. The text agrees
but slightly with א or B, and rather with the main body of uncials and
cursives, which it favours in about a proportion of three to one. With the
cognate purple manuscript Cod. N it accords so wonderfully, that although
one of them cannot have been copied directly from the other, they must
have been drawn directly or indirectly from the same source. Strong proofs
of the affinity between N and Σ are Matt. xix. 7 ἡμῖν added to ἐνετείλατο:
xxi. 8 ἐκ (for ἀπό): Mark vi. 53 ἐκεῖ added to προσω(ο in Σ)ρμισθησαν:
vii. 1 οἱ prefixed to ἐλθόντες: _ibid._ 29 ὁ ἰ_σ_ added to εἶπεν αὐτῇ:
viii. 3 ἐγλυθήσονται: _ibid._ 13 καταλιπών for ἀφείς: _ibid._ 18 οὔπω
νοεῖτε for καὶ οὐ μνημονεύετε: ix. 3 λευκᾶναι οὕτως: x. 5 ἐπέτρεψεν for
ἔγραψεν: xiv. 36 πλήν before ἀλλ᾽: xv. 21 omit παράγοντα: in all which
places the two manuscripts are either virtually or entirely alone.
Generally speaking, the Codex Rossanensis follows the Traditional Text,
but not invariably. We find here the usual itacisms, as ει for ι, αι for
ε, η for ει and ι, ου for ω, and vice versa; even ο for ω, which is rarer
in very ancient copies. The so-called Alexandrian forms ἤλθατε, ἐλθάτω,
ἴδαμεν, ἴδαν for verbs, τρίχαν and νύκταν for nouns, ἐκαθερίσθη, λήμψομαι,
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