A Plain Introduction to the Criticism of the New Testament, Vol. I.Scrivener, Frederick Henry Ambrose
Religion
A Plain Introduction to the Criticism of the New Testament, Vol. I.
Scrivener, Frederick Henry Ambrose
Bible. New Testament -- Criticism, interpretation, etc.
The leading features of these manuscripts will be described in the fourth
and fifth chapters. At present we wish to compare them with each other for
the purpose of tracing, as closely as we may, the different styles and
fashions of uncial letters which prevailed from the fourth to the tenth or
eleventh century of the Christian era. The varying appearance of cursive
manuscripts cannot so well be seen by exhibiting their alphabets, for
since each letter is for the most part joined to the others in the same
word, _connected_ passages alone will afford us a correct notion of their
character and general features. For the moment we are considering the
uncials only.
If the Rosetta stone, by its necessary avoiding of curve lines, gives only
a notion of the manner adopted on stone and not in common writing, it
resembles our earliest uncials at least in one respect, that the letters,
being as broad as they are high, are all capable of being included within
circumscribed squares. Indeed, yet earlier inscriptions are found almost
totally destitute of curves, even Ο and Θ being represented by simple
squares, with or without a bisecting horizontal line (see _theta_, p.
35)(29). The Herculanean papyri, however (a specimen of which we have
given in Plate iv. No. 10), are much better suited than inscriptions can
be for comparison with our earliest copies of Scripture(30). Nothing can
well be conceived more elegant than these simply-formed graceful little
letters (somewhat diminished in size perhaps by the effects of heat)
running across the volume, thirty-nine lines in a column, without capitals
or breaks between the words. There are scarcely any stops, no breathings,
accents, or marks of any kind; only that >, < or [right-pointing triangle]
are now and then found at the end of a line, to fill up the space, or to
join a word or syllable with what follows. A very few abbreviations occur,
such as [symbol like Pi with Rho] in the first line of our specimen, taken
from Philodemus περὶ κακιῶν (Hercul. Volum. Tom. iii. Col. xx. ll. 6-15),
the very manuscript to which Tischendorf compared his Cod.
Friderico-Augustanus (Proleg. § 11). The papyri, buried for so many ages
from A.D. 79 downwards, may probably be a century older still, since
Philodemus the Epicurean was the contemporary and almost the friend of
Cicero(31). Hence from three to four hundred years must have elapsed
betwixt the date of the Herculanean rolls and that of our earliest
Biblical manuscripts. Yet the fashion of writing changed but little during
the interval, far less in every respect than in the four centuries which
next followed, wherein the plain, firm, upright and square uncials were
giving place to the compressed, oblong, ornamented, or even sloping forms
which predominate from the seventh or eighth century downwards. While
advising the reader to exercise his skill on facsimiles of _entire
passages_, especially in contrasting the lines from Philodemus (No. 10)
Public-domain text, read in full here on John Shaqi.
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