From this account it will appear that the Coptic, as a language, cannot differ materially from the demotic. As a matter of fact the two are found on examination to represent two successive stages of the same language—a result which history would lead us to anticipate. But while the language is essentially the same, the character of the writing is wholly different. The demotic character was derived ultimately from the hieroglyphic. Hence it represents the same medley of signs. Only a small number are truly alphabetic, i.e. denote each a single sound. Others represent syllables. Others again, and these a very large number, are not phonetic at all, but pictorial. Of these pictorial or ideographic signs again there are several kinds; some represent the thing itself directly; others recall it by a symbol; others again are determinative, i.e. exhibit the class or type, to which the object or action belongs. It is strange that this very confused, cumbrous, and uncertain mode of writing should have held its ground for so many centuries, while all the nations around employed strictly phonetic alphabets; but Egypt was proverbially a land of the past, and some sudden shock was necessary to break up a time-honoured usage like this and to effect a literary revolution. This moral earthquake came at length in Christianity. Coincidently with the evangelization of Egypt and the introduction of a Christian literature, we meet with a new and strictly phonetic alphabet. This new Egyptian or Coptic alphabet comprises thirty letters, of which twenty-four are adopted from the Greek alphabet, while the remaining six, of which five represent sounds peculiar to the Egyptian language and the sixth is an aspirate, are signs borrowed from the existing Egyptian writing. If there is no direct historical evidence that this alphabet was directly due to Christianity, yet the coincidence of time and historic probability generally point to this. The Christians indeed had a very powerful reason for changing the character, besides literary convenience. The demotic writing was interspersed with figures of the Egyptian deities, used as symbolic or alphabetical signs. It must have been a suggestion of propriety, if not a dictate of conscience, in translating and transcribing the Scriptures to exclude these profane and incongruous elements from the sacred text.