What, also, we might have pointed out was that in a five-cent story the villain was absolutely sure of receiving suitable and adequate punishment for his misdeeds. Right then and there, on the spot, he got his. And the heroine was always so pluperfectly pure. And the hero always was a hero to his finger tips, never doing anything unmanly or wrong or cowardly, and always using the most respectful language in the presence of the opposite sex. There was never any sex problem in a nickul librury. There were never any smutty words or questionable phrases. If a villain said "Curse you!" he was going pretty far. Any one of us might whet up our natural instincts for cruelty on Fore's Book of Martyrs, or read of all manner of unmentionable horrors in the Old Testament, but except surreptitiously we couldn't walk with Nick Carter, whose motives were ever pure and who never used the naughty word even in the passion of the death grapple with the top-booted forces of sinister evil. We might have told our parents, had we had the words in which to state the case and they but the patience to listen, that in a nickul librury there was logic and the thrill of swift action and the sharp spice of adventure. There, invariably virtue was rewarded and villainy confounded; there, inevitably was the final triumph for law and for justice and for the right; there embalmed in one thin paper volume, was all that Sandford and Merton lacked; all that the Rollo books never had. We might have told them that though the Leatherstocking Tales and Robinson Crusoe and Two Years Before the Mast and Ivanhoe were all well enough in their way, the trouble with them was that they mainly were so long-winded. It took so much time to get to where the first punch was, whereas Ned Buntline or Col. Prentiss Ingraham would hand you an exciting jolt on the very first page, and sometimes in the very first paragraph. You take J. Fenimore Cooper now. He meant well and he had ideas, but his Indians were so everlastingly slow about getting under way with their scalping operations! Chapter after chapter there was so much fashionable and difficult language that the plot was smothered. You couldn't see the woods for the trees, But it was the accidental finding of an ancient and reminiscent volume one Sunday in a little hotel which gave me the cue to what really made us such confirmed rebels against constituted authority, in a literary way of speaking. The thing which inspired us with hatred for the so-called juvenile classic was a thing which struck deeper even than the sentiments I have been trying to describe.