Boardinghouses -- Juvenile fiction; London (England) -- Juvenile fiction; Love stories; Mothers and daughters -- Juvenile fiction
"It is a very beautiful, fine house," said the little woman. "I went
all over it this morning. I heard from your agents, Messrs. Macalister
& Co., that you are anxious to take it."
I felt that my agents were very rude in thus giving me away, and made
no response beyond a stately bend of my head. I was glad that mother
was occupying herself with some delicate embroidery in the distant
window. She certainly could not hear our conversation.
Miss Mullins now pulled her chair forward and sat in such a position
that her knees nearly touched mine.
"You'll forgive a plain question," she said; "I am here on business.
Are you prepared to take the house?"
"We certainly wish to take it," I said.
"But are you going to take it, Miss Wickham?"
I rather resented this speech, and was silent.
"Now I'll be plain. My name is blunt, and so is my nature. I want the
house."
I half rose.
"Sit down, Miss Wickham, and don't be silly."
This speech was almost intolerable, and I thought the time had come
when I should call to mother to protect me, but Jane Mullins had such
twinkling, good-humoured eyes, that presently my anger dissolved into
a curious desire to laugh.
"I know, Miss Wickham, you think me mad, and I was always accounted a
little queer, but I'll beat about the bush no longer. You want 17
Graham Square, and so do I. You have got beauty and good birth and
taste and style, and your name and your appearance will draw
customers; and I have got experience and"--here she made a long,
emphatic pause--"_money_. Now my question is this: Shall we club
together?"
I never in all my life felt more astonished, I was nearly stunned.
"Club together?" I said.
"Yes, shall we? Seven thousand pounds capital has been placed at my
disposal. You, I understand, have got furniture, at least some
furniture"--here she glanced in a rather contemptuous way round our
lovely drawing-room. "You also, of course, have a certain amount of
connection, and I have got a large and valuable connection. Shall we
club together?"
"I do not think we have any connection at all," I said bluntly; "not
one of our friends will notice us when we go to--to Bloomsbury, and
we have not half enough furniture for a house like 17 Graham Square.
But what do you mean by our clubbing together?"
"Let me speak, my dear. What I want is this. I want you to put your
furniture, what there is of it, and your connection, what there is of
it, and your good birth and your style, and your charming mother into
the same bag with my experience and my capital--or rather, the capital
that is to be given to me. Will you do it? There's a plain question.
Is it to be yes, or is it to be no? I want 17 Graham Square, and so do
you. Shall we take it together and make a success of it? I like you,
you are honest, and you're nice to look at, and I don't mind at all
your being stiff to me and thinking me queer, for by-and-by we'll be
friends. Is it to be a bargain?"
Public-domain text, read in full here on John Shaqi.
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