will yield perfect rationality of every description. In general, it may be said that if a man's conception of the world lets loose any action in him that is easy, or any faculty which he is fond of exercising, he will deem it rational in so far forth, be the faculty that of computing, fighting, lecturing, classifying, framing schematic tabulations, getting the better end of a bargain, patiently waiting and enduring, preaching, joke-making, or what you like. Albeit the absolute is defined as being necessarily an embodiment of objectively perfect rationality, it is fair to its english advocates to say that those who have espoused the hypothesis most concretely and seriously have usually avowed the irrationality to their own minds of certain elements in it. Probably the weightiest contribution to our feeling of the rationality of the universe which the notion of the absolute brings is the assurance that however disturbed the surface may be, at bottom all is well with the cosmos--central peace abiding at the heart of endless agitation. This conception is rational in many ways, beautiful aesthetically, beautiful intellectually (could we only follow it into detail), and beautiful morally, if the enjoyment of security can be accounted moral. Practically it is less beautiful; for, as we saw in our last lecture, in representing the deepest reality of the world as static and without a history, it loosens the world's hold upon our sympathies and leaves the soul of it foreign. Nevertheless it does give _peace_, and that kind of rationality is so paramountly demanded by men that to the end of time there will be absolutists, men who choose belief in a static eternal, rather than admit that the finite world of change and striving, even with a God as one of the strivers, is itself eternal. For such minds Professor Royce's words will always be the truest: 'The very presence of ill in the temporal order is the condition of the perfection of the eternal order.... We long for the absolute only in so far as in us the absolute also longs, and seeks through our very temporal striving, the peace that is nowhere in time, but only, and yet absolutely, in eternity. Were there no longing in time there would be no peace in eternity.... God [_i.e._ the absolute] who here in me aims at what I now temporally miss, not only possesses in the eternal world the goal after which I strive, but comes to possess it even through and because of my sorrow. Through this my tribulation the absolute triumph then is won.... In the absolute I am fulfilled. Yet my very fulfilment demands and therefore can transcend this sorrow.'[7] Royce is particularly felicitous in his ability to cite parts of finite experience to which he finds his picture of this absolute experience analogous. But it is hard to portray the absolute at all without rising into what might be called the 'inspired' style of language--I use the word not ironically, but prosaically and