A Political and Social History of Modern Europe V.1.Hayes, Carlton J. H. (Carlton Joseph Huntley)
History
A Political and Social History of Modern Europe V.1.
Hayes, Carlton J. H. (Carlton Joseph Huntley)
Europe -- History; Europe -- Politics and government
All races and all generations have had some kind of culture, but within
the recorded history of humanity, certain peoples and certain centuries
stand out most distinctly as influencing its evolution. Thus, the
Greeks of the fourth and fifth centuries before Christ gathered
together and handed down to us all manner of speculation about the
nature of the universe, all manner of hypothetical answers to the
eternal questions--Whence do we come, What are we doing, Where do we
go?--and this was the foundation of modern philosophy and metaphysics.
From the same Greeks came our geometry and the rudiments of our
sciences of astronomy and medicine. It was they who gave us the model
for nearly every form of literature--dramatic, epic, and lyric poetry,
dialogues, oratory, history--and in their well-proportioned temples, in
their balanced columns and elaborate friezes, in their marble
chiselings of the perfect human form, they fashioned for us forever the
classical expression of art.
[Sidenote: Roman Culture]
Still in ancient times, the Romans developed classical architecture in
the great triumphal arches and in the high-domed public buildings which
strewed their empire. They adapted the fine forms of Greek literature
to their own more pompous, but less subtle, Latin language. They
devised a code of law and a legal system which made them in a real
sense the teachers of order and the founders of the modern study of
law.
[Sidenote: Mohammedan Culture]
The Mohammedans, too, at the very time when the Christians of western
Europe were neglecting much of the ancient heritage, kept alive the
traditions of Greek philosophy, mathematics, astronomy, and medicine.
From eastern Asia they borrowed algebra, the Arabic numerals, and the
compass, and, in their own great cities of Bagdad, Damascus, and
Cordova, they themselves developed the curiously woven curtains and
rugs, the strangely wrought blades and metallic ornaments, the
luxurious dwellings and graceful minarets which distinguish Arabic or
Mohammedan art.
[Sidenote: Medieval Culture]
Public-domain text, read in full here on John Shaqi.
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