Authors, English -- 20th century -- Biography; Reynolds, Stephen Sydney, 1881-1919
[11] The flexibility and expressiveness of dialect lies largely
in its ability to change its verbal form and pronunciation from a
speech very broad indeed to something approaching standard
English. For example, "You'm a fool," is playful; "You'm a fule,"
less so. "You're a fool," asserts the fact without blame; while
"Thee't a fule," or "Thee a't a fule!" would be spoken in temper,
and the second is the more emphatic. The real differences between
"I an't got nothing," "I an't got ort," and "I an't got
nort,"--"Oo't?" "Casn'?" "Will 'ee?" and "Will you?"--"You'm
not," "You ain't," "You bain't," and "Thee a'tn't,"--are hardly
to be appreciated by those who speak only standard English.
_Thee_ and _thou_ are used between intimates, as in French.
_Thee_ is usual from a mother to her children, but is
disrespectful from children to their mother.
[Sidenote: _THOUGHTS AND MIND PICTURES_]
In short, every time Tony uses _like_, he is admitting, and explaining,
that he has expressed himself as best he could, but inadequately
notwithstanding. He has felt something more delicately, thought upon
something more accurately, than he can possibly say. He is always
pathetically eager to make himself plain, to be understood. One knows
well that touching look in the eyes of a dog when, as we say, it all
but speaks. Often have I seen that same look, still more intense, in
Tony's eyes, when he has become mazed with efforts to express himself,
and I have wished that as with the dog, a pat, a small caress, could
change the look into a joyfulness. But it is just because I am fond of
him that I am able to feel with him and to a certain extent to divine
his half-uttered thoughts; to take them up and return them to him
clothed in more or less current English which, he knows, would convey
them to a stranger, and which shows him more clearly than before what
he really was thinking. That seems to be one of my chief functions
here--thought-publisher. Evidently grateful, he talks and talks,
usually while the remains of a meal lie scattered on the table. "Aye!"
he says, at the end of a debauch of _likes_. "I don' know what I du
know. Tony's a silly ol' fule!"
He does not believe it; nor do I; for I am often struck with wonder at
the thoughts and mind-pictures which we so curiously arrive at
together.
15
Public-domain text, read in full here on John Shaqi.
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