On my assuring her that it was not so very horrid, she rearranged her silken skirts on the chair (a chair too ornamentally slight for her weight) and tilted up her nose. "I must get and lay the table," she said, "for a lady and gentleman that's staying with me. _Very_ nice people." [Sidenote: _ALEXANDRA SQUARE_] Under Town has, in fact, an indifferent reputation among the elect. Not that it is badly behaved; far from it. The shallow-pated resent its not having drawn into line with their cheap notions of progress. If Under Town had put plate-glass windows into antique buildings.... Visitors to Seacombe, not being told, hardly so much as suspect the existence of its huddled old houses and thatched cottages. The shingle-paved Gut runs down unevenly from the Shore Road between a row of tall lodging houses and the Alexandra Hotel, then opens out suddenly into a little square which contains an incredible number of recesses and sub-corners, so to speak, with many more doors in them than one can discover houses belonging to the doors. Two cottages, I am told, have no ground floors at all. Cats sun themselves on walls or squat about gnawing fish bones. A houdan cockerel with bedraggled speckly plumage and a ragged crest hanging over one eye struts from doorstep to doorstep. The children, when any one strange walks through the Square, run like rabbits in a warren to their respective doors; stand there, and stare. Tony Widger's house is the largest. Once, when Under Town was Seacombe, a lawyer lived here--hence the front passage. It has a cat-trodden front garden, in which only wall-flowers and some box edging have survived. Over the front door is a broken trellis-work porch. Masts and spars lean against the wall. The house is built of red brick, straight up and down like an overgrown doll's house, but the whole of the wall is weathered and toned by the southerly gales which blow down the Gut from the open sea. Those same winds see to it that Alexandra Square does not smell squalid, however it may look. At its worst it is not so depressing as a row of discreet semi-detached villas. It is, I should imagine, a pretty accurate mirror of the lives that are lived in it--poor men's lives that scarcely anybody fathoms. If one looks for a moment at a house where people have starved, or are starving.... What a gift of hope they must possess--and what a sinking in their poor insides! 4