A Popular Handbook to the National Gallery, Volume I, Foreign Schools: Including by Special Permission Notes Collected from the Works of John Ruskin
History
A Popular Handbook to the National Gallery, Volume I, Foreign Schools: Including by Special Permission Notes Collected from the Works of John Ruskin
National Gallery (Great Britain); Painting -- England -- London -- Catalogs
This picture, which was painted in 1644 for Jan Six, the well-known
patron of Rembrandt, passed eventually into the possession of Mr.
Angerstein. The poet Wordsworth, describing a visit he paid to the
Angerstein collection, wrote to Sir George Beaumont in 1808: "Coleridge
and I availed ourselves of your letters to Lawrence, and saw Mr.
Angerstein's pictures. The day was very unfavourable, not a gleam
of sun, and the clouds were quite in disgrace. The great picture of
Michael Angelo and Sebastian (No. 1) pleased me more than ever. The new
Rembrandt has, I think, much, very much, in it to admire, but still
more to _wonder at_ rather than admire. I have seen many pictures of
Rembrandt which I should prefer to it. The light in the _depth_ of the
temple is far the finest part of it: indeed, it is the only part of
the picture which gives me very _high_ pleasure; but that does highly
please me" (_Memorials of Coleorton_, ii. 49).
46. THE BLESSINGS OF PEACE
_Rubens_ (Flemish: 1577-1640). _See_ 38.
This picture was presented in 1630 to King Charles I. by Rubens,
when he came to England as accredited ambassador for the purpose
of negotiating a peace with Spain. After the death of Charles, the
Parliament sold the picture for £100. It passed into the possession
of the Doria family at Genoa, where it was known as "The Family of
Rubens." It was afterwards bought by the Marquis of Stafford for £3000,
and by him presented to the National Gallery.[80]
The circumstances under which the picture was painted gave the clue to
its meaning. Rubens came to urge Charles to conclude peace, and here
on canvas he sets forth its blessings. In the centre of the picture is
the Goddess of _Wisdom_, with Minerva's helmet on her head, her right
hand resting on her spear, now to be used no more. Before her flies
_War_, reluctantly, as if he dared not resist Wisdom, yet employing
his shield, in order still to shelter _Discord_, with her torch now
extinguished. Last of all in the hateful train is _Malice_, whose
very breath is fire, and who "endeth foul in many a snaky fold"--in
the serpent's folds, which ever attend the hostilities of nations.
Beneath Minerva's protection sits _Peace_ enthroned, and gives the milk
of human kindness for babes to suck. From above, Zephyrus, the soft
warm wind, descends with the olive wreath--the emblem in all ages of
public peace, whilst at her side stands the "all-bounteous Pan," with
Amalthea's storied Horn of _Plenty_. A band of happy children, led by
_Love_ (whose torch, now that Discord's is gone out, burns aloft),
approach to taste the sweets of Peace, and to minister to abundance.
In the train of Plenty comes _Opulence_, bringing goblets, wreaths
of pearl, and other treasures; whilst behind is _Music_, playing on
her tambourine to celebrate the arts of peace. Last of all in the
foreground is a leopard, not hurting or destroying any more, but
playful as a lamb--
Public-domain text, read in full here on John Shaqi.
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