A Popular Handbook to the National Gallery, Volume I, Foreign Schools: Including by Special Permission Notes Collected from the Works of John Ruskin
History
A Popular Handbook to the National Gallery, Volume I, Foreign Schools: Including by Special Permission Notes Collected from the Works of John Ruskin
National Gallery (Great Britain); Painting -- England -- London -- Catalogs
Domenico Zampieri, called Domenichino for his small stature,
was born at Bologna, the son of a shoemaker. He entered the
school of the Carracci, and afterwards was invited to Rome
by Albani, in whose house he lived. Here he soon acquired
a great reputation, and was taken by Annibale Carracci as
assistant in the execution of the frescoes of the Farnese
Palace. The Cardinals Borghese and Aldobrandini were also among
his patrons. In 1617 he revisited Bologna, where he married.
In 1621 he was recalled to Rome by the Pope Gregory XV., who
appointed him principal painter and architect to the pontifical
palace. Some of the villas at Frascati were designed by him.
In 1630 he was invited to Naples to decorate the Cappella del
Tesoro of the Duomo, a commission which Guido Reni sought in
vain. Here Domenichino incurred the hostility of the Neapolitan
painters, and the machinations of the notorious triumvirate,
the "Cabal of Naples," were suspected of causing his death.
At Rome also he had been much persecuted by rival artists.
Accusations of plagiarism were levelled at him, and his more
pushing competitors "decried him to such a degree that he
was long destitute of all commissions." It is interesting
to contrast the conditions of (literally) "cut-throat
competition," under which the Italian painters of the decadence
worked, with the Guild System of the Flemish and the honourable
time and piece-work of the earlier Italians.
Public-domain text, read in full here on John Shaqi.
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