Tura are enough to show how large an original element of native genius there was. The later developments of this genius are well illustrated in this room, with the important exception that Dosso Dossi, the greatest colourist amongst the Ferrarese masters, is very incompletely represented. His best works are to be seen at Ferrara, Dresden, Florence, and the Borghese Palace. He has been called "the Titian of the Ferrarese School," just as Lorenzo Costa has been called its Perugino and Garofalo its Raphael. Such phrases are useful as helping the student to compare corresponding pictures in different schools, and thus to appreciate their characteristics. The early Bolognese School does not really exist except as an offshoot of the Ferrarese. Marco Zoppo (590) was "no better," says Morelli, "than a caricature of his master, Squarcione, and besides, he spent the greater part of his life at Venice;" whilst Lippo Dalmasii (752) was very inferior to contemporary artists elsewhere. The so-called earlier Bolognese School was really founded by the Ferrarese Francesco Cossa and Lorenzo Costa, who moved to Bologna about 1480, and the latter of whom "set up shop" with Francia in that town (see under 629). Remarks on the later "Eclectic" School of Bologna, formed by the Carracci, may more conveniently be deferred (see p. 35) [Illustration] FOOTNOTES: [22] See for Correggio's connection with the Ferrarese-Bolognese School, Morelli's _German Galleries_, pp. 120-124. THE UMBRIAN SCHOOL "More allied to the Tuscan than to the Venetian spirit, the Umbrian masters produced a style of genuine originality. The cities of the Central Apennines owed their specific quality of religious fervour to the influences emanating from Assisi, the headquarters of the _cultus_ of St. Francis. This pietism, nowhere else so paramount, except for a short period in Siena, constitutes the individuality of Umbria" (J. A. SYMONDS: _Renaissance in Italy_, iii. 133). Yonder's a work now, of that famous youth The Urbinate... Well, I can fancy how he did it all, Pouring his soul, with kings and popes to see, Reaching, that heaven might so replenish him, Above and through his art.... BROWNING: _Andrea del Sarto_.