A Popular History of Astronomy During the Nineteenth Century: Fourth EditionClerke, Agnes M. (Agnes Mary)
History
A Popular History of Astronomy During the Nineteenth Century: Fourth Edition
Clerke, Agnes M. (Agnes Mary)
Astronomy -- History -- 19th century
Several causes concurred about the beginning of the last century to give
a fresh and powerful impulse to investigations having this end in view.
The rapid progress of theory almost compelled a corresponding advance in
observation; instrumental improvements rendered such an advance
possible; Herschel's discoveries quickened public interest in celestial
inquiries; royal, imperial, and grand-ducal patronage widened the scope
of individual effort. The heart of the new movement was in Germany.
Hitherto the observatory of Flamsteed and Bradley had been the
acknowledged centre of practical astronomy; Greenwich observations were
the standard of reference all over Europe; and the art of observing
prospered in direct proportion to the fidelity with which Greenwich
methods were imitated. Dr. Maskelyne, who held the post of Astronomer
Royal during forty-six years (from 1765 to 1811), was no unworthy
successor to the eminent men who had gone before him. His foundation of
the _Nautical Almanac_ (in 1767) alone constitutes a valid title to
fame; he introduced at the Observatory the important innovation of the
systematic publication of results; and the careful and prolonged series
of observations executed by him formed the basis of the improved
theories, and corrected tables of the celestial movements, which were
rapidly being brought to completion abroad. His catalogue of thirty-six
"fundamental" stars was besides excellent in its way, and most
serviceable. Yet he was devoid of Bradley's instinct for divining the
needs of the future. He was fitted rather to continue a tradition than
to found a school. The old ways were dear to him; and, indefatigable as
he was, a definite purpose was wanting to compel him, by its exigencies,
along the path of progress. Thus, for almost fifty years after Bradley's
death, the acquisition of a small achromatic[59] was the only notable
change made in the instrumental equipment of the Observatory. The
transit, the zenith sector, and the mural quadrant, with which Bradley
had done his incomparable work, retained their places long after they
had become deteriorated by time and obsolete by the progress of
invention; and it was not until the very close of his career that
Maskelyne, compelled by Pond's detection of serious errors, ordered a
Troughton's circle, which he did not live to employ.
Public-domain text, read in full here on John Shaqi.
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