A Popular History of Ireland : from the Earliest Period to the Emancipation of the Catholics — CompleteMcGee, Thomas D'Arcy
History
A Popular History of Ireland : from the Earliest Period to the Emancipation of the Catholics — Complete
McGee, Thomas D'Arcy
Ireland -- History
The literature of the masses of the people was pretty equally composed
of the legends of the Saints and the older Ossianic legend, so much
misunderstood and distorted by modern criticism. The legends of the
former class were chiefly wonders wrought by the favourite Saints of
the district or the island, embellished with many quaint fancies and
tagged out with remnants of old Pagan superstition. St. Columbkill and
St. Kieran were, most commonly, the heroes of those tales, which,
perhaps, were never intended by their authors to be seriously believed.
Such was the story of the great founder of Iona having transformed the
lady and her maid, who insulted him on his way to Drom-Keth, into two
herons, who are doomed to hover about the neighbouring ford till the
day of doom; and such that other story of "the three first monks" who
joined St. Kieran in the desert, being a fox, a badger, and a bear, all
endowed with speech, and all acting a part in the legend true to their
own instincts. Of higher poetic merit is the legend of the voyage of
St. Brendan over the great sea, and how the birds which sung vespers
for him in the groves of the Promised Land were inhabited by human
souls, as yet in a state of probation waiting for their release!
In the Ossianic legend we have the common stock of Oriental ideas—the
metamorphosis of guilty wives and haughty concubines into dogs and
birds; the speaking beasts and fishes; the enchanted swans, originally
daughters of Lir; the boar of Ben Bulben, by which the champion,
Diarmid, was slain; the Phoenix in the stork of Inniskea, of which
there never was but one, yet that one perpetually reproduced itself;
the spirits of the wood, and the spirits inhabiting springs and
streams; the fairy horse; the sacred trees; the starry influences.
Monstrous and gigantic human shapes, like the Jinns of the Arabian
tales, occasionally enter into the plot, and play a midnight part,
malignant to the hopes of good men. At their approach the earth is
troubled, the moon is overcast, gusts of storm are shaken out from the
folds of their garments, the watch dogs and the war dogs cower down, in
camp and rath, and whine piteously, as if in pain.
Public-domain text, read in full here on John Shaqi.
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