A Popular History of the Art of Music: From the Earliest Times Until the PresentMathews, W. S. B. (William Smythe Babcock)
History
A Popular History of the Art of Music: From the Earliest Times Until the Present
Mathews, W. S. B. (William Smythe Babcock)
Music -- History and criticism
Vast numbers of musicians were employed in the greater temple service,
4,000 being mentioned in I Chronicles xxiii, 5, as praising God with
the kinds of instruments appointed by David. According to Josephus,
this great number was vastly increased in still later times, the
numbers given being 200,000 trumpeters and 40,000 harpers and players
upon stringed instruments. Even if we take the figures as greatly
exaggerated, they show nevertheless that the art of music had a great
place among this people.
The instruments known were few in number, and their type underwent
little change from the earliest days. The principal instrument of the
older time was the _Kinnor_, or little triangular harp, which we find
in the record of the primeval Jubal, and which more than 1,000 years
later was played before Saul to defend him from the evil spirit. This
also was the instrument most prominent in the temple service, and this
again was hung upon the willows of Babylon. The name kinnor is said to
have been Phoenician, a fact which points to this as the source of
its derivation. It is not easy to see how this could well be, unless
we regard the name as having been applied to the invention of Jubal at
a later time, for Jubal lived many years anterior to the founding of
the great metropolis of the Mediterranean. The kinnor was a small harp
having from ten to twenty strings. The usual forms are shown in the
accompanying illustration. The strings were fastened upon a metal rod
lying along the face of the sounding board. The type of construction
is totally unlike that of the Egyptian harps, and its musical powers
were apparently considerably inferior. Its form was the following:
[Illustration: Fig. 8.]
Another instrument often mentioned in the English version of the Bible
is the psaltery, of which the form is somewhat uncertain, but is
thought to have been four-sided. Various ancient representations have
been supposed to be this instrument, but none of them satisfactorily,
at least not authoritatively. It was probably a variety of harp. The
nebel is also said to have been a psaltery, but its etymology points
to the Phoenician nabel, a triangular harp like a Greek delta. The
forms of the psaltery were four-sided or triangular. It was probably
the predecessor of the Arab canon, which again is much the same as the
santir. (See Fig. 25.)
There were two kinds of flute, both of them reed pipes, the smaller
being merely a shepherd's pipe. They were used for lamentations and
for certain festivals, as in Isaiah xxx, 29: "Ye shall have a song as
in the night when a holy solemnity is kept; and gladness of heart as
when one goeth with a pipe to come into the mountain of the Lord, the
Holy One of Israel."
Many of the different names of musical instruments in the common
version of the Scriptures are merely blunders of the Septuagint
translators, who rendered the word kinnor by about six different
terms, where no distinction had been originally intended by the sacred
writers.
Public-domain text, read in full here on John Shaqi.
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