A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
He closed his eyes in the languor of sleep. His eyelids trembled as if
they felt the vast cyclic movement of the earth and her watchers,
trembled as if they felt the strange light of some new world. His soul
was swooning into some new world, fantastic, dim, uncertain as under
sea, traversed by cloudy shapes and beings. A world, a glimmer or a
flower? Glimmering and trembling, trembling and unfolding, a breaking
light, an opening flower, it spread in endless succession to itself,
breaking in full crimson and unfolding and fading to palest rose, leaf
by leaf and wave of light by wave of light, flooding all the heavens
with its soft flushes, every flush deeper than the other.
Evening had fallen when he woke and the sand and arid grasses of his
bed glowed no longer. He rose slowly and, recalling the rapture of his
sleep, sighed at its joy.
He climbed to the crest of the sandhill and gazed about him. Evening
had fallen. A rim of the young moon cleft the pale waste of skyline,
the rim of a silver hoop embedded in grey sand; and the tide was
flowing in fast to the land with a low whisper of her waves, islanding
a few last figures in distant pools.
Chapter V
He drained his third cup of watery tea to the dregs and set to chewing
the crusts of fried bread that were scattered near him, staring into
the dark pool of the jar. The yellow dripping had been scooped out like
a boghole and the pool under it brought back to his memory the dark
turfcoloured water of the bath in Clongowes. The box of pawn tickets at
his elbow had just been rifled and he took up idly one after another in
his greasy fingers the blue and white dockets, scrawled and sanded and
creased and bearing the name of the pledger as Daly or MacEvoy.
1 Pair Buskins.
1 D. Coat.
3 Articles and White.
1 Man’s Pants.
Then he put them aside and gazed thoughtfully at the lid of the box,
speckled with louse marks, and asked vaguely:
—How much is the clock fast now?
His mother straightened the battered alarm clock that was lying on its
side in the middle of the mantelpiece until its dial showed a quarter
to twelve and then laid it once more on its side.
—An hour and twenty-five minutes, she said. The right time now is
twenty past ten. The dear knows you might try to be in time for your
lectures.
—Fill out the place for me to wash, said Stephen.
—Katey, fill out the place for Stephen to wash.
—Boody, fill out the place for Stephen to wash.
—I can’t, I’m going for blue. Fill it out, you, Maggy.
When the enamelled basin had been fitted into the well of the sink and
the old washing glove flung on the side of it he allowed his mother to
scrub his neck and root into the folds of his ears and into the
interstices at the wings of his nose.
—Well, it’s a poor case, she said, when a university student is so
dirty that his mother has to wash him.
—But it gives you pleasure, said Stephen calmly.
Public-domain text, read in full here on John Shaqi.
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