A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
An ear-splitting whistle was heard from upstairs and his mother thrust
a damp overall into his hands, saying:
—Dry yourself and hurry out for the love of goodness.
A second shrill whistle, prolonged angrily, brought one of the girls to
the foot of the staircase.
—Yes, father?
—Is your lazy bitch of a brother gone out yet?
—Yes, father.
—Sure?
—Yes, father.
—Hm!
The girl came back, making signs to him to be quick and go out quietly
by the back. Stephen laughed and said:
—He has a curious idea of genders if he thinks a bitch is masculine.
—Ah, it’s a scandalous shame for you, Stephen, said his mother, and
you’ll live to rue the day you set your foot in that place. I know how
it has changed you.
—Good morning, everybody, said Stephen, smiling and kissing the tips of
his fingers in adieu.
The lane behind the terrace was waterlogged and as he went down it
slowly, choosing his steps amid heaps of wet rubbish, he heard a mad
nun screeching in the nuns’ madhouse beyond the wall.
—Jesus! O Jesus! Jesus!
He shook the sound out of his ears by an angry toss of his head and
hurried on, stumbling through the mouldering offal, his heart already
bitten by an ache of loathing and bitterness. His father’s whistle, his
mother’s mutterings, the screech of an unseen maniac were to him now so
many voices offending and threatening to humble the pride of his youth.
He drove their echoes even out of his heart with an execration; but, as
he walked down the avenue and felt the grey morning light falling about
him through the dripping trees and smelt the strange wild smell of the
wet leaves and bark, his soul was loosed of her miseries.
The rainladen trees of the avenue evoked in him, as always, memories of
the girls and women in the plays of Gerhart Hauptmann; and the memory
of their pale sorrows and the fragrance falling from the wet branches
mingled in a mood of quiet joy. His morning walk across the city had
begun, and he foreknew that as he passed the sloblands of Fairview he
would think of the cloistral silverveined prose of Newman; that as he
walked along the North Strand Road, glancing idly at the windows of the
provision shops, he would recall the dark humour of Guido Cavalcanti
and smile; that as he went by Baird’s stonecutting works in Talbot
Place the spirit of Ibsen would blow through him like a keen wind, a
spirit of wayward boyish beauty; and that passing a grimy marine
dealer’s shop beyond the Liffey he would repeat the song by Ben Jonson
which begins:
I was not wearier where I lay.
Public-domain text, read in full here on John Shaqi.
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