A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
Eleven! Then he was late for that lecture too. What day of the week was
it? He stopped at a newsagent’s to read the headline of a placard.
Thursday. Ten to eleven, English; eleven to twelve, French; twelve to
one, physics. He fancied to himself the English lecture and felt, even
at that distance, restless and helpless. He saw the heads of his
classmates meekly bent as they wrote in their notebooks the points they
were bidden to note, nominal definitions, essential definitions and
examples or dates of birth or death, chief works, a favourable and an
unfavourable criticism side by side. His own head was unbent for his
thoughts wandered abroad and whether he looked around the little class
of students or out of the window across the desolate gardens of the
green an odour assailed him of cheerless cellardamp and decay. Another
head than his, right before him in the first benches, was poised
squarely above its bending fellows like the head of a priest appealing
without humility to the tabernacle for the humble worshippers about
him. Why was it that when he thought of Cranly he could never raise
before his mind the entire image of his body but only the image of the
head and face? Even now against the grey curtain of the morning he saw
it before him like the phantom of a dream, the face of a severed head
or death mask, crowned on the brows by its stiff black upright hair as
by an iron crown. It was a priestlike face, priestlike in its pallor,
in the wide winged nose, in the shadowings below the eyes and along the
jaws, priestlike in the lips that were long and bloodless and faintly
smiling; and Stephen, remembering swiftly how he had told Cranly of all
the tumults and unrest and longings in his soul, day after day and
night by night, only to be answered by his friend’s listening silence,
would have told himself that it was the face of a guilty priest who
heard confessions of those whom he had not power to absolve but that he
felt again in memory the gaze of its dark womanish eyes.
Through this image he had a glimpse of a strange dark cavern of
speculation but at once turned away from it, feeling that it was not
yet the hour to enter it. But the nightshade of his friend’s
listlessness seemed to be diffusing in the air around him a tenuous and
deadly exhalation and he found himself glancing from one casual word to
another on his right or left in stolid wonder that they had been so
silently emptied of instantaneous sense until every mean shop legend
bound his mind like the words of a spell and his soul shrivelled up
sighing with age as he walked on in a lane among heaps of dead
language. His own consciousness of language was ebbing from his brain
and trickling into the very words themselves which set to band and
disband themselves in wayward rhythms:
The ivy whines upon the wall,
And whines and twines upon the wall,
The yellow ivy upon the wall,
Ivy, ivy up the wall.
Public-domain text, read in full here on John Shaqi.
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