A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
The homely version of his christian name on the lips of his friend had
touched Stephen pleasantly when first heard for he was as formal in
speech with others as they were with him. Often, as he sat in Davin’s
rooms in Grantham Street, wondering at his friend’s well-made boots
that flanked the wall pair by pair and repeating for his friend’s
simple ear the verses and cadences of others which were the veils of
his own longing and dejection, the rude Firbolg mind of his listener
had drawn his mind towards it and flung it back again, drawing it by a
quiet inbred courtesy of attention or by a quaint turn of old English
speech or by the force of its delight in rude bodily skill—for Davin
had sat at the feet of Michael Cusack, the Gael—repelling swiftly and
suddenly by a grossness of intelligence or by a bluntness of feeling or
by a dull stare of terror in the eyes, the terror of soul of a starving
Irish village in which the curfew was still a nightly fear.
Side by side with his memory of the deeds of prowess of his uncle Mat
Davin, the athlete, the young peasant worshipped the sorrowful legend
of Ireland. The gossip of his fellow-students which strove to render
the flat life of the college significant at any cost loved to think of
him as a young fenian. His nurse had taught him Irish and shaped his
rude imagination by the broken lights of Irish myth. He stood towards
the myth upon which no individual mind had ever drawn out a line of
beauty and to its unwieldy tales that divided themselves as they moved
down the cycles in the same attitude as towards the Roman catholic
religion, the attitude of a dullwitted loyal serf. Whatsoever of
thought or of feeling came to him from England or by way of English
culture his mind stood armed against in obedience to a password; and of
the world that lay beyond England he knew only the foreign legion of
France in which he spoke of serving.
Coupling this ambition with the young man’s humour Stephen had often
called him one of the tame geese and there was even a point of
irritation in the name pointed against that very reluctance of speech
and deed in his friend which seemed so often to stand between Stephen’s
mind, eager of speculation, and the hidden ways of Irish life.
One night the young peasant, his spirit stung by the violent or
luxurious language in which Stephen escaped from the cold silence of
intellectual revolt, had called up before Stephen’s mind a strange
vision. The two were walking slowly towards Davin’s rooms through the
dark narrow streets of the poorer jews.
—A thing happened to myself, Stevie, last autumn, coming on winter, and
I never told it to a living soul and you are the first person now I
ever told it to. I disremember if it was October or November. It was
October because it was before I came up here to join the matriculation
class.
Stephen had turned his smiling eyes towards his friend’s face,
flattered by his confidence and won over to sympathy by the speaker’s
simple accent.
Public-domain text, read in full here on John Shaqi.
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