A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
—But that was stealing. How could they have done that?
—A fat lot you know about it, Thunder! Wells said. I know why they
scut.
—Tell us why.
—I was told not to, Wells said.
—O, go on, Wells, all said. You might tell us. We won’t let it out.
Stephen bent forward his head to hear. Wells looked round to see if
anyone was coming. Then he said secretly:
—You know the altar wine they keep in the press in the sacristy?
—Yes.
—Well, they drank that and it was found out who did it by the smell.
And that’s why they ran away, if you want to know.
And the fellow who had spoken first said:
—Yes, that’s what I heard too from the fellow in the higher line.
The fellows all were silent. Stephen stood among them, afraid to speak,
listening. A faint sickness of awe made him feel weak. How could they
have done that? He thought of the dark silent sacristy. There were dark
wooden presses there where the crimped surplices lay quietly folded. It
was not the chapel but still you had to speak under your breath. It was
a holy place. He remembered the summer evening he had been there to be
dressed as boatbearer, the evening of the procession to the little
altar in the wood. A strange and holy place. The boy that held the
censer had swung it gently to and fro near the door with the silvery
cap lifted by the middle chain to keep the coals lighting. That was
called charcoal: and it had burned quietly as the fellow had swung it
gently and had given off a weak sour smell. And then when all were
vested he had stood holding out the boat to the rector and the rector
had put a spoonful of incense in it and it had hissed on the red coals.
The fellows were talking together in little groups here and there on
the playground. The fellows seemed to him to have grown smaller: that
was because a sprinter had knocked him down the day before, a fellow
out of second of grammar. He had been thrown by the fellow’s machine
lightly on the cinderpath and his spectacles had been broken in three
pieces and some of the grit of the cinders had gone into his mouth.
That was why the fellows seemed to him smaller and farther away and the
goalposts so thin and far and the soft grey sky so high up. But there
was no play on the football grounds for cricket was coming: and some
said that Barnes would be prof and some said it would be Flowers. And
all over the playgrounds they were playing rounders and bowling
twisters and lobs. And from here and from there came the sounds of the
cricket bats through the soft grey air. They said: pick, pack, pock,
puck: little drops of water in a fountain slowly falling in the
brimming bowl.
Athy, who had been silent, said quietly:
—You are all wrong.
All turned towards him eagerly.
—Why?
—Do you know?
—Who told you?
—Tell us, Athy.
Athy pointed across the playground to where Simon Moonan was walking by
himself kicking a stone before him.
—Ask him, he said.
The fellows looked there and then said:
—Why him?
—Is he in it?
Public-domain text, read in full here on John Shaqi.
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