A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
He could not eat the blackish fish fritters they got on Wednesdays in
Lent and one of his potatoes had the mark of the spade in it. Yes, he
would do what the fellows had told him. He would go up and tell the
rector that he had been wrongly punished. A thing like that had been
done before by somebody in history, by some great person whose head was
in the books of history. And the rector would declare that he had been
wrongly punished because the senate and the Roman people always
declared that the men who did that had been wrongly punished. Those
were the great men whose names were in Richmal Magnall’s Questions.
History was all about those men and what they did and that was what
Peter Parley’s Tales about Greece and Rome were all about. Peter Parley
himself was on the first page in a picture. There was a road over a
heath with grass at the side and little bushes: and Peter Parley had a
broad hat like a protestant minister and a big stick and he was walking
fast along the road to Greece and Rome.
It was easy what he had to do. All he had to do was when the dinner was
over and he came out in his turn to go on walking but not out to the
corridor but up the staircase on the right that led to the castle. He
had nothing to do but that; to turn to the right and walk fast up the
staircase and in half a minute he would be in the low dark narrow
corridor that led through the castle to the rector’s room. And every
fellow had said that it was unfair, even the fellow out of second of
grammar who had said that about the senate and the Roman people.
What would happen? He heard the fellows of the higher line stand up at
the top of the refectory and heard their steps as they came down the
matting: Paddy Rath and Jimmy Magee and the Spaniard and the Portuguese
and the fifth was big Corrigan who was going to be flogged by Mr
Gleeson. That was why the prefect of studies had called him a schemer
and pandied him for nothing: and, straining his weak eyes, tired with
the tears, he watched big Corrigan’s broad shoulders and big hanging
black head passing in the file. But he had done something and besides
Mr Gleeson would not flog him hard: and he remembered how big Corrigan
looked in the bath. He had skin the same colour as the turfcoloured
bogwater in the shallow end of the bath and when he walked along the
side his feet slapped loudly on the wet tiles and at every step his
thighs shook a little because he was fat.
Public-domain text, read in full here on John Shaqi.
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