A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
On Sundays Stephen with his father and his granduncle took their
constitutional. The old man was a nimble walker in spite of his corns
and often ten or twelve miles of the road were covered. The little
village of Stillorgan was the parting of the ways. Either they went to
the left towards the Dublin mountains or along the Goatstown road and
thence into Dundrum, coming home by Sandyford. Trudging along the road
or standing in some grimy wayside public house his elders spoke
constantly of the subjects nearer their hearts, of Irish politics, of
Munster and of the legends of their own family, to all of which Stephen
lent an avid ear. Words which he did not understand he said over and
over to himself till he had learnt them by heart: and through them he
had glimpses of the real world about them. The hour when he too would
take part in the life of that world seemed drawing near and in secret
he began to make ready for the great part which he felt awaited him the
nature of which he only dimly apprehended.
His evenings were his own; and he pored over a ragged translation of
_The Count of Monte Cristo_. The figure of that dark avenger stood
forth in his mind for whatever he had heard or divined in childhood of
the strange and terrible. At night he built up on the parlour table an
image of the wonderful island cave out of transfers and paper flowers
and coloured tissue paper and strips of the silver and golden paper in
which chocolate is wrapped. When he had broken up this scenery, weary
of its tinsel, there would come to his mind the bright picture of
Marseilles, of sunny trellises and of Mercedes.
Outside Blackrock, on the road that led to the mountains, stood a small
whitewashed house in the garden of which grew many rosebushes: and in
this house, he told himself, another Mercedes lived. Both on the
outward and on the homeward journey he measured distance by this
landmark: and in his imagination he lived through a long train of
adventures, marvellous as those in the book itself, towards the close
of which there appeared an image of himself, grown older and sadder,
standing in a moonlit garden with Mercedes who had so many years before
slighted his love, and with a sadly proud gesture of refusal, saying:
—Madam, I never eat muscatel grapes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account