A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
—Give me a kiss, she said.
His lips would not bend to kiss her. He wanted to be held firmly in her
arms, to be caressed slowly, slowly, slowly. In her arms he felt that
he had suddenly become strong and fearless and sure of himself. But his
lips would not bend to kiss her.
With a sudden movement she bowed his head and joined her lips to his
and he read the meaning of her movements in her frank uplifted eyes. It
was too much for him. He closed his eyes, surrendering himself to her,
body and mind, conscious of nothing in the world but the dark pressure
of her softly parting lips. They pressed upon his brain as upon his
lips as though they were the vehicle of a vague speech; and between
them he felt an unknown and timid pressure, darker than the swoon of
sin, softer than sound or odour.
Chapter III
The swift December dusk had come tumbling clownishly after its dull day
and as he stared through the dull square of the window of the
schoolroom he felt his belly crave for its food. He hoped there would
be stew for dinner, turnips and carrots and bruised potatoes and fat
mutton pieces to be ladled out in thick peppered flour-fattened sauce.
Stuff it into you, his belly counselled him.
It would be a gloomy secret night. After early nightfall the yellow
lamps would light up, here and there, the squalid quarter of the
brothels. He would follow a devious course up and down the streets,
circling always nearer and nearer in a tremor of fear and joy, until
his feet led him suddenly round a dark corner. The whores would be just
coming out of their houses making ready for the night, yawning lazily
after their sleep and settling the hairpins in their clusters of hair.
He would pass by them calmly waiting for a sudden movement of his own
will or a sudden call to his sin-loving soul from their soft perfumed
flesh. Yet as he prowled in quest of that call, his senses, stultified
only by his desire, would note keenly all that wounded or shamed them;
his eyes, a ring of porter froth on a clothless table or a photograph
of two soldiers standing to attention or a gaudy playbill; his ears,
the drawling jargon of greeting:
—Hello, Bertie, any good in your mind?
—Is that you, pigeon?
—Number ten. Fresh Nelly is waiting on you.
—Good night, husband! Coming in to have a short time?
Public-domain text, read in full here on John Shaqi.
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