A Portrait of the Artist as a Young ManJoyce, James
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A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
The blundering answer stirred the embers of his contempt of his
fellows. Towards others he felt neither shame nor fear. On Sunday
mornings as he passed the church door he glanced coldly at the
worshippers who stood bareheaded, four deep, outside the church,
morally present at the mass which they could neither see nor hear.
Their dull piety and the sickly smell of the cheap hairoil with which
they had anointed their heads repelled him from the altar they prayed
at. He stooped to the evil of hypocrisy with others, sceptical of their
innocence which he could cajole so easily.
On the wall of his bedroom hung an illuminated scroll, the certificate
of his prefecture in the college of the sodality of the Blessed Virgin
Mary. On Saturday mornings when the sodality met in the chapel to
recite the little office his place was a cushioned kneeling-desk at the
right of the altar from which he led his wing of boys through the
responses. The falsehood of his position did not pain him. If at
moments he felt an impulse to rise from his post of honour and,
confessing before them all his unworthiness, to leave the chapel, a
glance at their faces restrained him. The imagery of the psalms of
prophecy soothed his barren pride. The glories of Mary held his soul
captive: spikenard and myrrh and frankincense, symbolising her royal
lineage, her emblems, the late-flowering plant and late-blossoming
tree, symbolising the agelong gradual growth of her cultus among men.
When it fell to him to read the lesson towards the close of the office
he read it in a veiled voice, lulling his conscience to its music.
_Quasi cedrus exaltata sum in Libanon et quasi cupressus in monte Sion.
Quasi palma exaltata sum in Gades et quasi plantatio rosae in Jericho.
Quasi uliva speciosa in campis et quasi platanus exaltata sum juxta
aquam in plateis. Sicut cinnamomum et balsamum aromatizans odorem dedi
et quasi myrrha electa dedi suavitatem odoris._
His sin, which had covered him from the sight of God, had led him
nearer to the refuge of sinners. Her eyes seemed to regard him with
mild pity; her holiness, a strange light glowing faintly upon her frail
flesh, did not humiliate the sinner who approached her. If ever he was
impelled to cast sin from him and to repent the impulse that moved him
was the wish to be her knight. If ever his soul, re-entering her
dwelling shyly after the frenzy of his body’s lust had spent itself,
was turned towards her whose emblem is the morning star, “bright and
musical, telling of heaven and infusing peace,” it was when her names
were murmured softly by lips whereon there still lingered foul and
shameful words, the savour itself of a lewd kiss.
That was strange. He tried to think how it could be but the dusk,
deepening in the schoolroom, covered over his thoughts. The bell rang.
The master marked the sums and cuts to be done for the next lesson and
went out. Heron, beside Stephen, began to hum tunelessly.
My excellent friend Bombados.
Public-domain text, read in full here on John Shaqi.
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