A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of FriendsClarkson, Thomas
Religion
A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of Friends
Clarkson, Thomas
Society of Friends
This indisposition arises from the peculiar construction of novels.
Their structure is similar to that of dramatic compositions. They
exhibit characters to view. They have their heroes and heroines in the
same manner. They lay open the checkered incidents in the lives of
these. They interweave into their histories the powerful passion of
love. By animated language, and descriptions which glow with sympathy,
they rouse the sensibility of the reader, and fill his soul with
interest in the tale. They fascinate therefore in the same manner as
plays. They produce also the same kind of [7] mental stimulus, or the
same powerful excitement of the mind. Hence it is that this
indisposition is generated. For if other books contain neither
characters, nor incidents, nor any of the high seasoning, or gross
stimulants, which belong to novels they become insipid.
[Footnote 7: I have been told by a physician of the first eminence, that
music and novels have done more to produce the sickly countenances and
nervous habits of our highly educated females, than any other causes
that can be assigned. The excess of stimulus on the mind from the
interesting and melting tales, that are peculiar to novels, affects the
organs of the body, and relaxes the tone of the nerves, in the same
manner as the melting tones of music have been described to act upon the
constitution, after the sedentary employment, necessary for skill in
that science, has injured it.]
It is difficult to estimate the injury which is done to persons, by this
last mentioned effect of novel-reading upon the mind. For the contents
of our best books consist usually of plain and sober narrative. Works of
this description give no extravagant representations of things, because
their object is truth. They are found often without characters or
catastrophies, because these would be often unsuitable to the nature of
the subject of which they treat. They contain repellants rather than
stimulants, because their design is the promotion of virtue. The
novel-reader therefore, by becoming indisposed towards these, excludes
himself from moral improvement, and deprives himself of the most
substantial pleasure, which reading can produce. In vain do books on the
study of nature unfold to him the treasures of the mineral or the
vegetable world. He foregoes this addition to his knowledge, and this
innocent food for his mind. In vain do books on science lay open to him
the constitution and the laws of the motion of bodies. This constitution
and these laws are still mysteries to him. In vain do books on religion
discover to him the true path to happiness. He has still this path to
seek. Neither, if he were to dip into works like these, but particularly
into those of the latter discription, could he enjoy them. This latter
consideration makes the reading of novels a more pernicious employment
than many others. For though there may be amusements, which may
sometimes produce injurious effects to those, who partake of them, yet
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