A Practical Manual of the Collodion Process, Giving in Detail a Method For Producing Positive and Negative Pictures on Glass and Paper.Humphrey, S. D. (Samuel Dwight)
Science
A Practical Manual of the Collodion Process, Giving in Detail a Method For Producing Positive and Negative Pictures on Glass and Paper.
Humphrey, S. D. (Samuel Dwight)
Ambrotype; Photography
chemically from the first, obtained by a mixture of certain strength
when used _cold_. If _warm_, however, either from the heat produced
spontaneously on mixing the two acids; or by raising the temperature
artificially to about 130°, the cotton then immersed becomes perfectly
soluble, producing a third variety; if, however, it be _thoroughly dried_,
it becomes in a great measure insoluble. The fourth is obtained by the
use of weaker acids used cold, and the fifth when the mixture has been
warmed to 130° previous to the immersion of the cotton; in either of the
two last cases the product is perfectly soluble, but there is a remarkable
difference between their properties, for on dissolving 6 grains of each in
1 ounce of ether, the cotton treated with _warm_ acids gives a perfectly
fluid solution (which is likewise the case with the third variety produced
by acids something stronger), while that obtained by the use of cold acids
makes a mixture as thick as castor-oil.
"Having obtained these more strongly marked varieties, as well as
intermediate kinds, with all gradations of solubility, it was necessary,
before I could select any particular formula for preparing the cotton,
to compare their photographic properties, with especial reference to
sensitiveness, opacity of the reduced silver in negatives, and its color
in positives. A certain weight of each being dissolved in a portion of
the same mixture of alcohol and ether previously iodized, the comparison
was made, by taking the same objects with each collodion in succession,
and likewise by pouring two samples on the same plate of glass, and thus
exposing them in the camera together, side by side; this last proved
to be much the most satisfactory plan, and was repeated many times for
each sample, taking care to reverse the order in which they were poured
on, that there might be no mistake arising from the difference of time
elapsing between the pouring on of the collodion and its immersion in
the sensitive bath. By these experiments I had confidentially hoped to
have solved the question as to the cause of difference in sensitiveness
and other photographic properties of collodion; but in this I was
disappointed, for, after repeated experiments, I believe I may safely
affirm that they are precisely similar as regards their photographic
properties. The same I believe may be said of Swedish paper collodion,
judging from a few comparative experiments I have made, and indeed it is
difficult to discover what is the superiority of this material over clean
cotton-wool; the ease of manipulation which some allege is a matter of
taste, but I should decidedly prefer the open texture of cotton to that of
a substance like filtering paper, composed of a mass of compacted fibres,
the innermost of which are only reached when the acids have undergone
a certain degree of weakening by the water abstracted from the outer
fibres; and when we consider that from cotton alone we have the means of
Public-domain text, read in full here on John Shaqi.
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