Lee looked at all his auditors severally, thoroughly enjoying the
effect of this extraordinary news.
'O dear! dear!' cried Clacher weakly, tedding his hair and
fidgeting on his seat. 'Naebody daur harm me, I'm mad.'
'Set your mind at rest, Clacher. Nobody will attempt to harm you.'
'Jane,' he continued, 'it was our unfortunate brother whom we
carried upstairs this evening. The woman was his wife.'
Briscoe gasped; but the practical novelist proceeded, smiling, and
proud of his ingenuity.
'He has been going by the name of Lee, Maxwell Lee,' he said,
staring down Briscoe; 'and makes a scanty living by his pen. His
wife is a noble woman, and will not admit his madness; but that he
is mad no one else can have any doubt, because the poor fellow
imagines that he is me. I will tell you his whole history
tomorrow, as far as I know it. I hadn't the remotest idea he was
in Scotland until he appeared to-night----'
The droning of a bagpipe not far off, a strange sound at that time
of night and in the neighbourhood, interrupted him. A very
unskilful attempt at a pibroch succeeded, and as the playing grew
more distinct it was evident that the performer approached the
house. Muriel raised the window-sash, and the tuneless screaming
ceased. Hesitating steps on the gravel were then heard. They
stopped opposite the window, and a high, cracked male voice
quavered out the first verse of Glen's pathetic ballad, 'Wae's me
for Prince Charlie':--
'A wee bird cam tae oor ha' door,
He warbl't sweet an' clearly;
An' aye the o'ercome o' his sang
Was "Wae's me for Prince Charlie."
O! when I heard the bonnie, bonnie bird,
The tears came drappin' rarely;
I took my bonnet off my head,
For well I lo'ed Prince Charlie!'
The voice broke entirely at the last line. Said Lee, 'We'll bring
this minstrel in,' and left the room. In a few seconds he returned
accompanied by a strange figure. It was that of an old man dressed
in a ragged Highland costume. His kilt was of the Stuart tartan.
His black jacket had been garnished with brass buttons; but of
them only a few hung here and there, withered and mouldy; and
numerous little tufts of thread on pocket-lids and cuffs and
breast showed whence their companions had been shed. His sporran
was half-denuded of hair. His hose were holed, and the uppers were
parting company with the soles of his shoes. A black feather
adorned in a very broken-backed manner his Glengarry bonnet. His
pipes he had left in the hall.
Public-domain text, read in full here on John Shaqi.
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