A practical treatise on coach-building historical and descriptive : $b Containing full information of the various trades and processes involved, with hints on the proper keeping of carriages, &c.Burgess, James W.
History
A practical treatise on coach-building historical and descriptive : $b Containing full information of the various trades and processes involved, with hints on the proper keeping of carriages, &c.
Burgess, James W.
Carriage and wagon making; Carriages and carts
Sound mechanical knowledge is less necessary to the fashionable
coachmaker than taste. Taste is the one requisite, without which he
cannot thrive, and which therefore constitutes his real business
qualification. Taste is exhibited in form, colour, and proportion,
and having this he can employ other persons to fill up the details.
The general mechanism of carriages does not vary, and the mechanism
serves as a skeleton framework which may be clothed according to
fancy. Therefore, to produce what is commonly called a new carriage
is a work of composition, and not invention. It is a combination
of already existing parts to form a new arrangement. The tasteful
combiner may know nothing of his wheels or axles, or their due
proportion of strength, but he has the wheelwright to take the
responsibility for him. He may know nothing of the construction of
springs, but the spring-maker is at hand ready to calculate the
requisite strength according to an estimated weight; and if the
weight should prove more than was expected it is easy to apply an
extra plate. He gives a general drawing of the framework, and a
skilful workman knows how to apportion the scantling, and build it
strongly together. A skilful smith makes his ornamental ironwork
to a given form, and takes all the responsibility of understanding
and duly working the metal. The employer directs the painter what
portions to put in colours and what in ground colours; what to make
conspicuous and what to hide; what to lighten by lines and what to
leave heavy. The preparation of the colours and the laying of them
on are the work of the painter alone. The enterprising maker also
directs the trimmer as to the general effect of the lining, and
arranges the harmony of the colours; but the trimmer has to study the
best mode of performing his work. The braces and other leather work
are left to the skill of the workman, who is mostly left to select
his own materials and apportion their strength; and the ornamental
metal-work is the province of the plater, who is responsible for
its wear. It is clear, however, that in addition to taste, it is
necessary that the carriage constructor should know how to draw,
in order to effectually direct those whom he employs, and also to
facilitate operations with the purchasers who may employ him to build
for them.
Public-domain text, read in full here on John Shaqi.
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