A practical treatise on coach-building historical and descriptive : $b Containing full information of the various trades and processes involved, with hints on the proper keeping of carriages, &c.Burgess, James W.
History
A practical treatise on coach-building historical and descriptive : $b Containing full information of the various trades and processes involved, with hints on the proper keeping of carriages, &c.
Burgess, James W.
Carriage and wagon making; Carriages and carts
The carriage parts are finished as follows:—Two coats of lead colour
are first laid on, composed in the same way as those for the body
before the colour is applied. Then stop all parts requiring it with
hard stopper, a little reduced with turpentine to sand-paper easily.
To the wood parts apply two coats of quick lead, composed of dry
lead and lampblack ground in gold size and thinned with turpentine.
Sand-paper down thoroughly, and the grain will be found smooth and
well filled up. A thin coat of oil lead colour is then applied, and
sand-papered down when dry; and at this stage any open parts between
the tire and felloe of the wheels, &c., should be again stopped up
with oil putty. A coat of colour varnish follows, then a second, with
more varnish added. The parts are then flatted and striped; another
light coat of clear varnish is given, and after being flatted down
the fine lines are added, and the whole is finished with a good coat
of wearing varnish.
The carriage parts are generally painted one or two tones lighter
than the colour of the panels of the body, except where the panel
colour is of a hue that will not admit of it. Certain shades of
green, blue, and red may be used on panels, but would not, when made
a tint or two lighter, be suitable for a carriage part. Dark brown,
claret, and purple lake would not be open to this objection, because,
to the majority of persons, they are colours which are pleasing to
the eye, both in their deep and medium tones.
When the panels are to be painted green, blue, or red, and the
painter wishes to carry these colours on to the carriage part, it is
better to use them for striping only, and let the ground colour be
black.
A carriage part painted black may be made to harmonise with any
colour used on the body, as the striping colours can be selected so
as to produce any desired effect. Brilliant striping can be brought
out on dark colours only, while, if the ground colour be light,
recourse must be had to dark striping colours to form a contrast. The
carriage part should not detract from the appearance of the body;
that is, there should be sufficient contrast between the two to bring
out the beauties of the body. A plainly finished body will appear to
better advantage on a showy carriage, and a richly painted body on
one that is not very ornate.
In striping the carriage parts, the bright colours should be used
sparingly. A fine line placed on the face of the spokes and naves,
and distributed over the inside carriage, would look far better than
when each side of the spokes, the faces, the naves, and felloes, &c.,
are striped on both sides.
The coatings of varnish contribute largely to the durability as well
as beauty of a carriage part. The ground and striping colours are
shown in their purity only after they are varnished and have a good
surface, and the test of wearing depends on the quantity and quality
of varnish applied.
Public-domain text, read in full here on John Shaqi.
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